Schedule of Classes - Winter - Spring - 2018/ 2019:
This is a series of hands on furniture making classes that should be taken in succession as each project builds on skills learned in the previous classes.
This series is not a required prerequisite for any other classes contained in this schedule.
A hands-on course that covers the basic concepts of woodworking and furniture making. This eight-session class is a combination of demonstrations and hands-on practice. General shop safety (with particular concentration on using the tablesaw) is emphasized. Students will utilize the skills, techniques and tools (both power and hand-tools) being taught in the class in the making of a walnut jewelry box. This project could also be used to store a variety of other personal items. Skills learned will provide a strong foundation for subsequent furniture-making classes. Class size is limited to 12 students. Tuition: $395.00 plus materials ($59.00)
Section 020419A: Monday evenings, February 4 - April 1, 6:00PM - 9:30PM
(Note: Tim Spratlin is the instructor for these classes)
(This class is a required prerequisite for other classes in the "Fundamentals of Furniture-making" series (Woodworking II & III) and has always proven worthwhile to beginner and advanced students alike. IT IS NOT A PREREQUISITE FOR ANY OTHER CLASSES ON THE SCHEDULE)
General tool list (will open in a new window)
An eight-session class that is a continuation of the Woodworking I class. This class utilizes a combination of hand tools and power tools in the construction of a valuable piece of furniture. Techniques learned in the previous class are put to extensive use as more advanced techniques and skills are introduced. Mortise and tenon joints, grain matching, and using handplanes are a few of the new skills students will learn while making a cherry hall table as their project. Class size is limited, Woodworking I is a prerequisite. Tuition: $395.00 plus materials ($225.00).
Section 040819A: Monday evenings, April 8 - June 3, 6:00PM - 9:30PM,
(Note: Tim Spratlin is the instructor for Woodworking I & II)
General tool list (will open in a new window)
This class concentrates on the techniques used in cabinet making rather than those used in furniture making. Tim Spratlin is a professional cabinetmaker who brings with him years of labor saving tricks and techniques which students will find invaluable when completing their own projects at home. A medium sized painted plywood bookshelf is the project for this class and features techniques such as cutting plywood panels to size, using solid wood edging, making and applying a molding, making a mitered base, using a Kreg jig and working with a router. The design of the bookcase features a plinth base, adjustable shelves and decorative moldings. This class is designed for beginner and intermediate woodworkers who are interested in learning techniques they can use in numerous home improvement projects. The bookcase utilizes common portable power tools that most homeowners would have or might be considering purchasing. This class will provide you with the foundation skills needed for more advanced projects such as kitchen cabinets, storage cabinets, entertainment centers, counter tops and more. Sign up today. Space is limited. Tuition: $325.00 plus materials
Section 020919A: Saturday & Sunday, February 9 & 10, 9:30am - 5:00pm
General Tool list (will open in a new window)
The pinnacle of home cabinetmakinag is the kitchen cabinet. This is also a subject that many people have asked for over the years. Tim Spratlin is a professional cabinet maker and is able to show you loads of time saving techniques to help you on your way to building your own kitchen cabinets. You may just be interested in a simpler project like a bathroom vanity– but the techniques and principles are all the same! Tim will review the standards involved in modern kitchen design; ie. the height of counters, depths of cabinets, etc., and demonstrate the installation process. The cabinet you will make in class is a small (about 28” wide) free standing unit that utilizes all the challenges you will face in building a full set of cabinets. The project will incorporate a face frame, a raised panel door, a drawer, a laminated top and European hardware. Options for different types of countertops will be discussed. The cabinet you make in class could then be used at home as a free standing vanity, a storage cabinet or even a sharpening station in a workshop- but more importantly, it will give you the knowledge and confidence to tackle that larger kitchen project that you have been putting off! If you’ve been waiting for the right time to rebuild your kitchen, then this class will get you started on the right track. This class meets four full days over two weekends. Tuition $495.00 plus materials.
Section 031619A: Saturday & Sunday, March 16 & 17 & April 6 & 7, 9:30am - 5:00pm
general tool list (will open in a new window)
Have you been intrigued with the idea of learning to turn a bowl but are not ready to commit to a 6 week class?. This one day class will get you hooked on turning– Guaranteed! Students will learn some of the basics of woodturning and will come away with a finished shallow cherry bowl and the new found knowledge to turn more. Who knows– you might even jump in head first and find a whole new passion!!
Sharp tools are essential so we will be spending a little time at the grinder learning about sharpening bowl gouges and scrapers. Techniques for sanding and finishing bowls will also be covered. This is a great class –even if you have turned a number of bowls already or have never even thought of turning a bowl. Sign up today. Space is limited to the number of lathes we have!
Tuition: $125.00 plus materials.
Section 010519B, Saturday, January 5, 9:30am - 5:00pm
Turning "green" wood offers turners a lot more opportunities that don't exist when using kiln-dried lumber. You are not limited by stock lumber sizes or species. The wood is actually easier to turn and it is usually free!! BUT- there are some special techniques that must be used to prepare it for turning and to preserve the piece as it dries. Come spend the weekend with Rick Angus and bring your woodturning skills to a new level. Students will turn a series of bowls and platters during this exciting hands-on class. Some turning experience is required (a prior class is sufficient). Students are encouraged to bring in some examples of their previous work. Tuition: $275.00 (plus materials)
Section 112418B: Saturday & Sunday, November 24 & 25, 9:30am - 5:00pm
This six evening class is designed for the beginning (or frustrated) woodturner and features extensive hands-on practice each night. Woodturning is a skill that requires some basic instruction and lots of practice. Students are turning on their own lathe most of each night of the class. Class starts with basic spindle and includes a few simple projects like a mallet and spinning tops. We then move on to face plate turning which includes some cherry and mahogany bowls and plates. Along the way we spend time learning about tool sharpening and general information about lathes, tools, chucks and various jigs used in woodturning. This is a great way to safely get into woodturning and gives you a good foundation for other more advanced turning classes and projects. Tuition: $295.00 plus materials ($49.00)
Section 020619B: Wednesday evenings, February 6 - March 13, 6:00pm - 9:30pm
Section 041519B: Monday evenings, April 15 - May 20, 6:00pm - 9:30pm
Many people have asked for a beginning turning class to be offered in a weekend format. This class will cover much of the same material as the six-night class but because of time constraints we will not be able to cover as much material in as much depth. The class will cover spindle turning, bowl turning and basic lathe use, safety and sharpening. Students will have the opportunity to make a number of spindle and faceplate projects during the weekend including a mallet, a bowl and a small plate or platter. This is a great introduction to the fascinating craft of woodturning. Tuition: $275.00 (plus materials: $32.00)
Section 012619B:Saturday & Sunday,January 26 & 27,9:30am– 5:00pm
Many students have asked for a class that offers the opportunity to turn bowls and only bowls. Students will have the opportunity to turn a shallow bowl, a deeper bowl, and time permitting- a third bowl or a plate (think very shallow bowl…). Participants will learn to make jigs and fixtures that will be useful in finishing the bottom of any bowl. We will get into the use of a four jaw chuck as well as alternative ways to hold the work on the lathe without using a commercially made chuck. Sharp tools are essential so we will be spending time at the grinder learning about sharpening bowl gouges and scrapers. Techniques for sanding and finishing bowls will also be covered. This is a great class whether you have turned a number of bowls already or have never even thought of turning a bowl. Sign up today. Space is limited to the number of lathes we have!
Tuition: $275.00 plus materials.
Section 022319B: Saturday & Sunday, February 23 & 24, 6:00pm – 9:30pm
Turning natural edge bowls from wet local hardwoods can be great fun– and the material is free (if you own a chain saw and have access to recently cut down trees….!) In this weekend class students will receive a refresher in the fundamental gouge and scraper cutting techniques, learn how to visualize the “bowl inside the wood”, mount and turn the sections of fresh logs between centers to form the outside of the bowl before re-mounting the blank in a chuck to form the inside of the bowl– all the while taking care to maintain the fragile bark edge on the rim of the bowl.
The bowls you turn in class will need to finish drying at home and can easily be finish sanded when dry with a round pad in a drill.
Blanks of wood will be mounted between centers and the “bowl inside the wood” will be before cutting so you control the grain pattern and bark rim position in the finished bowl. We focus on developing an eye for making a pleasing shape while incorporating the bark of the tree as the rim of the bowl. We touch-up your graceful bevel-guided cutting technique thus helping you to form the smooth curves of the bowl. This bowl requires a steady hand as cutting the rim is interrupted--you cut a bit of the high part of the rim then skip to the high part of the other side. We focus on careful aim to get a graceful curve through this interrupted cut. We shape the outside of the bowl, remount the blank in a chuck and cut the inside. At home, the bowls will dry and easily can be sanded with a round sanding pad in a drill. Sign up today– class size is limited.
Tuition: $275.00 plus materials ($35.00)
Section 040619B: Saturday & Sunday, April 6 & 7, 9:30am—5:00pm
Most woodworkers shy away from finishing or are disappointed in their attempts at finishing the projects they have spent so much time and effort in making. Greg Massicotte has been finishing furniture professionally for over twenty years and has taught countless seminars and classes. Students will learn about bleaching and wood preparation, how to use aniline dyes, pigmented stains and glazes in combination to create the dramatic effects and colors they want. The many different choices for top coats always create a lot of questions. This class will expose students to brushing on varnishes, wiping on oils and spraying lacquers. This experience will help clarify the strengths and weaknesses of each topcoat system. Rubbing out the finish and French Polishing will round out the class. With the huge number of finishing questions that come up daily, you should be sure to fit this valuable class in. Tuition $295.00 (plus materials: $45.00)
Section 022519B: Monday evenings, February 25 - April 1, 6:00pm—9:00pm
Zen of French Polish with John Coffey
French polish is a technique for putting shellac on wood as a finish. Shellac is perhaps the most versatile finish that can be used to finish furniture–it is hard and durable, it is restorable without having to remove it, and best of all it may be the most beautiful finish you could put on a piece of furniture!
One main benefit of French polish is it can be applied in less than ideal finishing conditions. Dust is not an issue as the polish dries almost as soon as it is rubbed on. The polisher can stop at any time in the process and pick it up at a later date. Best of all, the technique puts very little material on a surface, even irregular ones.
As an antique restorer, I am often required to put on a finish that preserves the color and texture of their surface–I cannot sand the surface. French polishing is uniquely suited for this task. The technique follows the undulating character of old surfaces, or handplaned surfaces, filling the grain until the surface is lustrous and polished.
In a two-day class I will show my technique for French polishing by assisting the student in their own project. The student can expect to be well on his way to finishing a small table or chest but, more importantly, will learn the skill of applying shellac using a pad in such a way that only the thinnest of coatings will be between the observer and the object, allowing the natural beauty of the wood to show through.
The woodworker spends so much time selecting just the right board, perfecting his or her technique on cutting dovetails and tenons, why not make sure the work receives what it deserves–the best finish possible. The old saw is never truer: while a good finish might be able to hide poor woodworking, a bad finish will take away from even the best work.
John Coffey is an antique restorer in Locust Valley, NY. John has taken conservation classes at the Smithsonian Institute and at Dakota County Technical College (MN) with senior conservator at the Smithsonian, Donald C. Williams. He has assisted with the "Ten Thousand Springs Pavilion" exhibit for the Smithsonian Institute in both Washington, D.C. and when it was in Flushing, Queens, N.Y. John holds a Bachelor of Science degree from Hobart College (NY). Sign up today!
Tuition: $295.00 plus materials
Section 020219A: Saturday & Sunday, February 2 & 3, 9:30am - 5:00pm
This two day class is tailored especially for woodworkers who are uneasy about the finishing process and wish to master the basic knowledge and techniques that will enable professional finishing results using easily available materials. The class is a mixture of lecture, demonstration, and has an emphasis on hands on activities that all students will complete using both sample panels and actual small project pieces.
In the color world, students will learn the critical differences between pigment colors and dye colors and gain an understanding of how to decode the often confusing information found on the many cans and bottles of colorants. With this knowledge we will use both dyes and pigments in a classic finishing schedule including glazing and toning, and practice some simple steps to achieve rich colors, vibrant grain popping, and also to match existing colors. Students will also complete some basic furniture repair techniques using epoxy, colored waxes and both oil and acrylic colors to match missing or damaged grain.
In the world of topcoats, students will learn how to categorize virtually all finishes into one of five basic families, and how to successfully use products from each family by brush, pad and spray. Students will practice using the proper brushes for each type of finish, including shellac, oil based and water based, and also learn some basic spray techniques using commonly available aerosol products to achieve professional quality results.
In addition Mike will demonstrate the basics of rubbing out a finish to a perfect sheen and feel, and also show some basic special effect techniques such as creating “age” with common asphaltum, otherwise known as roofing tar !
Mike Mascelli is a professional upholsterer in Latham, NY with over 40 years of experience in working and teaching, and is also Director of the Professional Refinisher’s Group, a national organization founded in 1998 to connect professionals in the restoration, refinishing and conservation trades . In his upholstery work he divides his time between classic furniture and classic cars, while his finishing expertise is based on years of shop experience and the counsel and mentoring of some of the most experienced wood finishers in the industry. He has contributed to the Roubo on Furniture by Don Williams (Lost Art Press) and With Saw, Plane & Chisel by Zach Dillinger (Popular Woodworking, 2016). He also writes for the American Period Furniture journal of the Society of American Period Furniture Makers and has completed several instructional videos on upholstery techniques. Sign up today– space is limited.
Tuition $275.00 plus materials
Section 110318B: Saturday & Sunday, November 3 & 4, 9:30am—5:00pm
Over the years I have done hundreds of classes which feature projects that teach particular skills. The problem with these project classes is that the logistics of the class prevent us from spending sufficient time on any given new skill to really understand and gain any kind of proficiency in it. In this 6 week (4 days per week) class there is no project– Just skills, technique and practice. With no project to distract us we are able to spend days rather than hours to insure learning of basic– and not so basic—furniture making skills and techniques. When I changed the format of this class to no project, just skills- I really believe it has become one of the best classes I have offered in years. Everyone really learns a lot and has a great time!
Plan on spending two to three days on the basic milling process– a strong foundation is essential to more advanced techniques. Instead of learning just enough to get through dovetailing a drawer, plan on spending at least three full days– maybe four, on dovetails. With these new hand skills, cutting a dovetail or a tenon by hand turns out to be a pretty simple affair which you will be able to do! FYI- You will be cutting a set of dovetails every day of this class.
Machine set ups? I already know how to set up the machine– so in this class I will not set anything up– You will do that– after my demo and explanation of course. You will learn what it takes to flatten a tabletop– by machine and by hand, and glue up a tabletop– using one clamp and a handplane.
We will get into planning a project, basic wood technology, buying lumber, tool sharpening, cutting joints -by machine and by hand, along with basic finishing techniques .
Ornamentation is a big part of fine furniture so plan on spending a few days on working with veneers, inlay and making decorative bandings. It is always good to get a second viewpoint so I have arranged for some guest instructors to spend a day or two with us. Will Neptune will be here to do a day of hands on carving and hopefully Mike Pekovich will be able to stop by to introduce you to some of his design ideas and techniques.
Plan on expanding your ideas on furniture making and design- and plan on taking a few field trips to inspect some of the finest furniture made in Connecticut- entirely by hand!
Proficiency in handtools is essential in any high end furniture making and we will spend a lot of our time on just that– plan on spending at least a whole day - probably two- just on working with handplanes– and at least another whole day just on sharpening.
Because the handtools you are using are so critical to your success I am strongly recommending ( I repeat- STRONGLY RECOMMENDING!) you purchase the tapered dovetail saw from Lie Nielsen Toolworks. My experience shows that this is one of the best doveail saws on the market at a very fair price (mention that you are taking the class at CVSW to recieve the 10% student discount). Cheaper saws will just frustrate you and after using mine you will probably just end up buying it anyway!
We will emphasize the proper and safe use of common woodshop machinery such as the table saw, jointer, thickness planer, router and bandsaw. The school has a full complement of ready to use high end hand tools and power tools which you are welcome to use. These tools also will give you some experience and guidance in picking out your own tools which you will eventually need to acquire.
Section 011519A: Monday - Thursday, April 15 - May 23, 8:30am - 4:30pm
(note: no class April25)
General tool list (will open in a new window)
Stop making compromises with your router. Stop getting “close enough”. Learn how to use some of the most abundant molding planes of the past to get the exact edge you are after. Hollows and rounds do not make specific profiles. They make specific arcs. Learn to transform these few arcs into scores of various profiles. From layout to execution, this weekend class will focus on creating various moldings with these extraordinarily versatile planes.
The class will start off with maintaining the cutting edge, then move to laying out and ultimately sticking (planing) several moldings that will range from simple coves and ovolos through ogees, cymas and various combinations. The class will focus on hollows and rounds sized 6 and 10 along with a rabbet plane. Students will have the opportunity to bring their own performing planes or they can use newly made planes by M. S. Bickford, planemaker. Students will also have the opportunity to use a larger range of planes.
Each student will leave with several picture frames and the ability to transfer moldings he or she sees in person or print into wood and onto their project. Sign up today - this is a great opportunity to learn the use of these versatile planes- and learn a little about how they are made. At the end of the weekend, Matt will make available for sale some of the actual planes you will be using. Tuition $275.00 plus materials.
Section 010519A: Saturday & Sunday, January 5 & 6, 9:30am - 5:00pm
Many western woodworkers have discovered the pleasure of using Japanese saws, but Japan’s remarkable culture of woodworking has even more to offer. In this weekend class, professional furniture maker, Andrew Hunter, will go beyond the pull saw and introduce students to a greater perspective of Japanese woodworking. Topics covered will include Japanese saws, chisels, planes, sharpening stones and layout. He will show students how to buy, tune, and use these tools as well as how to incorporate traditional Japanese woodworking techniques into your own shop.
Students are encouraged to bring their own Japanese tools to class. Andrew can offer feedback and assistance on getting them to work more efficiently. If you don’t have your own collection of Japanese tools (yet), no worries. Andrew will have many of his own tools on hand for students to use, as well as a selection of moderately priced tools for sale.
With over 20 years of experience working with Japanese tools, Andrew has a wealth of knowledge to draw from and as a self taught woodworker, he offers a unique perspective to Americans just discovering Japanese woodworking. His work demonstrates that by understanding the fundamental principles behind the tools, any woodworker can learn to use them efficiently and you don’t have to travel to Japan to do it! Sign up today and expand your woodworking horizons! Tuition: $275.00 plus materials
Section 121518B: Saturday & Sunday, December 15 & 16, 9:30am - 5:00pm
general tool list (will open in a new window)
This class is an introduction for woodworkers interested in learning how to sharpen their own handsaws and backsaws. The curriculum will cover jointing, filing teeth to uniform size and gullet depth, setting, and final sharpening. Topics discussed in depth will include the geometric and functional distinction between rip and crosscut teeth and how fleam and rake are combined to maximize the function of cutting along or across wood fibers. Proper file selection, filing technique, and saw vise requirements will also be discussed. No prior knowledge of saw sharpening is required. The class will be hands on with each student learning to sharpen a rip and crosscut saw. Students are encouraged to bring one or two saws only. These saws must be in decent shape. This is a sharpening class- not a saw rehab class!
Matt Cianci is a professional saw doctor. His website and blog are at http://thesawwright.com Sign up today- This is always a fun class! Tuition: $125.00 plus materials ($20 paid directly to instructor)
Section 111118B: Sunday, November 11, 9:30am - 5:00pm
When most folks think of inlay, what comes to mind is period American or English furniture with a standard catalog of equally traditional designs. In this exciting new class with nationally know inlay expert, Steve Latta, this age old form of ornamentation will gain firm footing in the twenty-first century. Pattern inlay involves creating designs executed with modern tooling combined with traditional materials. Through the use of simple and sometimes complex patterns, contemporary line work designs can be set into the wood. Floral patterns, animal forms, geometric or random designs are a few of the applications we’ll look at. Inlaid borders, also made with a pattern, will be covered as well. We’ll spend time gaining an understanding of the basic materials and techniques and then see where our imaginations take us. Topics we will cover in this class include: The fundamentals of modern inlay- including tooling and materials, working up designs and learning how to set them as inlay, making patterns for both simple and complex shapes and adding ornamental inlaid borders.
Don’t miss this opportunity to let your creativity get the best of you! Sign up today. Tuition: $295.00 plus materials.
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Learn the basics of a mitered box and try your hand at kumiko while building a really nice little tea box that, not coincidentally, would make a great holiday gift. In this weekend class, Mike Pekovich will cover smart tablesaw techniques that make quick work of mitered boxes. After that, the hand tools take over with the building of a kumiko panel that decorates the lid of the box. Precision and a sharp chisel is the name of the game here. This traditionional Japanese joinery technique is a great way to spice up any project. It's a fun class and a great way to spend a "pre-holiday" weekend that might otherwise be spent being dragged to a shopping mall somewhere! While you are here make sure you pick up a copy of Mike's new book:
The Why & How of Woodworking: A Simple Approach to Making Meaningful Work- Maybe he will even sign it for you!
Sign up today- Space is limited. Tuition: $275.00 plus Materials ($45.00 plus tax)
Section 120118B: Saturday & Sunday, December 1 & 2, 9:30am - 5:00pm
Section 121518A: Saturday & Sunday, December 15 & 16, 9:30am - 5:00pm
General tool list (will open in a new window)
Join nationally known furniture maker, Tim Coleman for this fascinating look into various techniques to create visually exciting textures and patterns to furniture surfaces. In this class with Tim students will explore two primary techniques to embellish surfaces with patterns and texture using a few simple tools and a scroll saw.
Steel stamps are commonly used to emboss leather, but they can also be used on wood. In this two day class you will learn how to use a V carving tool to make pattern outlines, and steel stamps to create texture. Try out traditional letter and number stamps and also learn to make your own shapes and symbols from steel rod stock. Stamping is easy to learn and allows you to work quickly and spontaneously. You will also learn techniques to add color to the patterns to make them really stand out.
In the second part of the class you will learn how to cut shapes and patterns piercing through thick veneer pieces and then prepare them to laminate onto a contrasting layer of wood or veneer. You will get practice on the scroll saw and, most important, you will learn techniques for gluing down the cut pieces to achieve a clean result with very little glue squeeze out. It’s surprising how much depth can be achieved with material as thin as 1/16th inch, and effects can range from subtle to wild depending on wood and pattern selection. Tim Coleman works out of his shop in Shelbourne, Massachusetts and produces some truly unique and striking custom furniture for clients. In this class you can come with your own pattern ideas or look into Tim’s catalogue of ideas for inspiration. Whatever you do you will be sure to bring away some new skills and ideas that you can apply to your next projects. Sign up today- Space is limited.
Tuition $295.00 plus materials
Section 111718A: Saturday & Sunday, November 17 & 18, 9:30am—5:00pm
Handplanes can be one of the most useful and rewarding tools in the workshop – or they can be one of the most frustrating! Learn how to effectively use handplanes in your work with Ct. Valley School of Woodworking director, Bob Van Dyke. Which handplane is right for a particular job? What should you look for when buying a new or a flea market plane? How are they “tuned up”? And most importantly- how are they sharpened? These are just a few of the questions that will be answered in this exciting two-day class. We will also go thru many of the basic (and not so basic) types of handplanes- starting with the Stanley bench-planes and going on to compass planes, shoulder planes and combination planes like the Stanley #45 & #55. Because sharpening is such a basic part of using a handplane we will also make sharpening "projection jigs" for each person during class. This is a simple device that ensures the same sharpening angle each time you sharpen. The second day will be spent getting your planes sharpened and tuned up so you can start practicing using it. Techniques such as smoothing a surface, beveling a table edge, planing a curved surface, shooting edge joints, using shooting boards, fitting mortise and tenons and planing end grain will all be included. Don’t miss this unique and informative class. Space is limited. Tuition: $275.00 plus materials
Section 012619A: Saturday & Sunday, January 26 & 27, 9:30am – 5:00pm
lCome join us in learning the art of the carving the historic Acanthus Leaf. In this weekend class, Mary will walk you through the step-by-step process of how to carve this historical leaf that has been commonly used in designs since Ancient Greek times. This class is designed for both beginner and experienced carvers. During this class, Mary will also show how to get your tools razor sharp, techniques of carving in the correct grain direction, carving safety, and as many carving tips and tricks as she can jam into two days of hands on carving practice and instruction. It's going to be a lot of fun, so don't miss out! Mary is one of the premier carvers in this country and her classes are always great! Sign up today.
Tuition $345.00 plus materials
Learn the fundamentals of box making with Matt Kenney, author of 52 Boxes in 52 Weeks. You’ll make two boxes over the course of two days. Along the way, you’ll learn how to choose grain for small boxes, mill boards to create grain that flows continuously around the box, cut accurate miters and glue them up with no gaps. Matt will also go into strategies to make a stable bottom for the box, techniques to apply milk paint and shellac, and many other tricks of the trade that Matt uses when making boxes. He’ll also discuss critical design topics like proportions and wood selection. You will leave the class with not only two beautiful boxes, but also a better understanding of how to make attractive boxes of your own design in your own shop. Sign up today- space is limited. Tuition: $275.00 plus materials
Section 011219B: Saturday & Sunday, January 12 & 13, 9:30am – 5:00pm
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Mike South will introduce students to the basics of cutting and inlaying various types of shell products and other materials into musical instruments and other flat surfaces. The techniques are applicable to many different materials such as veneers, brass, silver and gold sheet stock and some of the softer natural and reconstituted stones. Topics will include the choice of needed tools and supplies, types of materials, techniques for reproducing artwork for use as templates and techniques for cutting the materials and inlaying them into surfaces for decoration and embellishment. Although Mike’s current specialty is stringed instruments, he has years of experience in wood turning as well as furniture design and construction so the techniques can be used in decorating these types of projects as well. Students will be introduced to the basics of how to position themselves so that the time spent cutting is used to best advantage. Layout and routing of the channels for the inlays will be explained so as to make for the cleanest outcomes. Traditional patterns and motifs will be supplied by the instructor, but if students have designs or artwork that they’d like to try, they’re encouraged to bring it to class. Specialized tools and various types of shell will be available from the instructor. Other basic supplies can be purchased locally. A list of suppliers will be included so students can acquire materials and tools for future projects. Inlay work can be very challenging but also a lot of fun. Proper instruction goes a long way and the rewards for patience and persistence are very satisfying. Sign up Today! Tuition: $275.00 plus materials
Section 111718B: Saturday & Sunday, November 17 & 18, 9:30am—5:00pm
General tool list (will open in a new window)
This class will be a combination lecture, demonstration and hands-on session which will provide an overview of the history, tools, techniques and materials of upholstery . Mike Mascelli has been a professional upholsterer his entire career and brings a lifetime of experience to this hands on class.
Mike will set up a complete working shop including a collection of historic and modern tools, and cover the full range of traditional hand sewn, and modern upholstery methods. Presentations include “A Lively Guide to a Dying Art”, which will be enhanced with demonstrations illustrating the tools and techniques portrayed. “A Tale of Two Chairs” presents step by step photos contrasting traditional work on a period armchair, and modern methods on a 1940’s chair.
Students will complete an open frame slip seat by stretching and tacking webbing, cutting and fitting the foundation, lofting, and show cover materials, and installing a proper dust cover. And then building on these new skills, complete a small-scale sprung footstool, by hand tying springs, and learning basic cutting and folding techniques, then finishing off the corners with proper blind stitches.
The class will also include a complete discussion of tools and machines, as well as tips on common repair techniques such as replacing buttons without having to open up the chair !
Students will receive a booklet containing, excerpts, illustrations, yardage charts, and sources of supply. This class is for anyone with an interest in the tools, terminology and techniques of the upholstery trade.
Sign up Today! Tuition $275.00 Plus materials ($55.00)
Section 020219A: Saturday & Sunday, February 2 & 3, 2019 9:30am—5:00pm
One, creating accurate details and parts, such as stopped chamfers with lambs-ear ends, egg-and-dart molding, cabriole legs, curved and tapered legs, ball-and-claw feet, and ogee bracket feet. You’ll also learn how to use one pin to create a full dovetail joint in a jiffy.
Two, how to install and use plugins—separate apps that make SketchUp more powerful. Plugins let you easily generate a cutlist; create shapes that the basic tools can’t handle; find and fix problems in a model; round over corners; create complex joinery; bend parts such as back splats for a chair;> and much more This class covers the 12 best plugins for woodworking.
Three, how to use digital images to add realistic woodgrain textures to the surfaces of a model; how to import an image of a part such as a cabriole leg, scale it, and trace over it; and how to import a photo of a finished piece and trace over it to create a model.
Prerequisite: Introductory SketchUp class or equivalent.
Tuition: $125.00 Materials are included
Section 111018B: Saturday, November 10, 9:30am—5:00pm
Join Mike Pekovich and make a great little wall cabinet in this 2-weekend class. Dovetails offer a lot of strength and some nice visual interest to the case, and Mike has some great tips for cutting accurate, stress-free joinery. The frame-and-panel door gives the cabinet it's personality and offers some solid lessons in cabinet making. You'll learn how to make, fit and hang a traditional door. In addition, you'll finish it off with a kumiko panel. This traditional Japanese latticework technique is a lot of fun and can brighten up just about any project. Mike, a long-time woodworker and instructor, is the creative director at Fine Woodworking magazine and the author of The Why and How of Woodworking, Taunton Press, 2018.
Sign up today– Mike’s classes always sell out quickly!
Tuition $545.00 plus materials
Section 022319A: Saturday & Sunday, February 23 & 24 and March 30 & 31
This popular six-day intensive hands-on class is an opportunity to concentrate on the basics of woodworking and furniture making. Each student will make a Shaker style cherry hall table, which is a perfect vehicle to practice the machine and hand-tool techniques that we teach in the class. Subjects covered include basic shop safety, machine use (with particular emphasis on the tablesaw, jointer and planer), using handplanes, card scrapers and chisels effectively to surface and hand-fit the mortice and tenon joints, handtool sharpening, making tapered legs and grain matching and gluing up a top. This class takes the place of Woodworking I & Woodworking II and provides a strong foundation for more advanced furniture projects. Tuition: $795.00 plus materials
Section 010719A, Monday - Saturday, January 7 - 12, 9:00am - 5:00pm
general tool list (will open in a new window)
The original kayaks created by the Inuit peoples of the Arctic were assembled from driftwood and seal skin. We will update the process with CNC-cut frames and Polyester fabric, but lashing together small pieces of wood is still a great way to quickly and efficiently construct a very capable watercraft.
Nick Schade has designed a modern sea kayak named the MicroBootlegger Sport. It is 15.5’ long, 22” wide and weighs about 36 lbs. The whole kayak can be assembled in a week.
We will lash lightweight wood stringers onto pre-cut marine plywood frame using artificial sinew to make a robust frame. We will then wrap the frame in heat-shrink polyester fabric and sew it in place instead of sealskin. Finally, the fabric will be sealed with paint to make it waterproof.
The result is a lightweight, flexible kayak which is strong, comfortable, fast and efficient. At the end of the class, the kayak will be complete and ready to launch.
The class starts on Saturday of Martin Luther King weekend and finishes up mid-day the next Thursday. Tuition $795.00 (plus materials– TBD)
For more information on Nick’s kayaks go to http://www.guillemot-kayaks.com/
Section 011919A: Saturday - Thursday, January 19 - 24, 9:00am - 5:00pm
Section 012819A: Monday - Friday, January 28 - February 1, 9:00am - 5:00pm
general tool list (will open in a new window)
What better way to spend a week than to put a woodcarving gouge in your hand, create something beautiful- and have fun! Mary May, a well-known professional woodcarver and instructor from South Carolina, will walk you through the carving process using a variety of relief carving projects. Starting the week with a floral relief design and then moving onto a scallop shell, the class will cap off the week with that wonderful and traditional acanthus leaf that is seen on so many period furniture pieces. Throughout the week Mary will also demonstrate a variety of tricks and techniques on how to efficiently use the gouges, how to make difficult carving cuts, how to sharpen tools to a razor sharp edge, and how to make the carving appear deeper than it actually is. Students will have the opportunity of working on projects of their own choosing along with projects that Mary has selected for their suitability in teaching the skills being demonstrated.
This is a perfect class for both beginners and experienced carvers. Beginning carvers can learn the basics from Mary, while experienced carvers will have a whole week to pick Mary’s brain, clarify the questions they may have been struggling with over the years and practice the skills she will be showing you. This is a great opportunity to learn both the basics and the advanced techniques under the guidance of one of our country’s best carvers and instructors.
Sign up today- This is a week that you will not want to miss! Tuition: $745.00 plus materials.