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2013 Winter thru Summer class schedule now available. |
Listed below are classes we have run in the past and may (or may not) run again in the future. If you see something of interest please e-mail us. We can let you know if the class is being planned again for the future.
I am pleased to welcome Phil back for this truly unique and challenging class. Over a series of four weekends Phil will guide students through the construction of a traditional Queen Anne style drop leaf table in walnut. This is an early, medium-sized movable table that can also be closed and used as a side table. Highlights of the project’s skills include making cabriole legs, cutting mortise and tenons, dovetails, and making knuckle joints & rule joints which will provide a great learning experience for the novice as well as the experienced woodworker. Phil will bring the students through the table design and development of a cut list as well as selection of cutters and making patterns. Learn the proper layout and sawing techniques that will make shaping the cabriole leg a breeze– and then learn to turn the pad foot on the lathe! This table will challenge your joinery skills and teach you the principles of setting hinges for the rule joint which will allow for a smooth leaf action and cutting the knuckle joints which swing the leg to hold up the table leaves. Anyone who has taken one of these “series” classes with Phil knows just how much you will learn and if you have not taken one of his classes then you owe it to yourself to build this unique heirloom piece of furniture. Tuition: $895.00 plus materials.
Section 092008A: Saturday & Sunday, September 20, 21, October 18 & 19, November 22 & 23 and December 13 & 14, 9:30pm – 5:00pm
The table saw is a powerful labor saving machine that is the heart of every woodworking shop. Most people think that it is only suited to cutting work pieces that are square with parallel edges. In this unique two day class furniture maker, teacher and author, Will Neptune will teach you techniques on the saw that you never would have dreamed possible. Angled joinery, shaped and curved work, and dealing with pieces that are unusually large or are normally considered too small are all possible- and safe!- with Will’s unique problem solving abilities and techniques. Some simple jigs and cutting strategies can make some seemingly difficult situations as simple and straight forward as basic tablesaw work. Participants will have the chance to work with Will as he teaches methods for safely and accurately cutting tenons (twin and multiple) dovetails, pattern cutting, dadoes, rabbetts, stopped and plunge cuts and coopering. Don’t miss this opportunity to learn from one of the best! Tuition: $255.00 plus materials
Section 121011A: Saturday & Sunday, December 10 & 11, 9:30am—5:00pm
The “pie crust” carved table top on a tripod base is a beautiful example of the 18th century carver’s work. In this class students will make the top alone which can then be used as a tray. Will Neptune will guide students through the many challenges of this unique type of carving. The form presents the carver with a number of interesting technical challenges- beads and coves with inside and outside corner carved miters. Carving the same pattern around the circular top is a great lesson in reading grain direction. Careful layout of the pattern and the choice of carving gouges is an example of the common 18th century approach of relating design and technique. Don’t miss this great opportunity to further your carving skills under the guidance of one of this country’s foremost carvers and teachers. Tuition: $245.00 plus materials
Section 120608B: Saturday & Sunday, December 6 & 7, 9:30am—5:00pm
If you have been frustrated by your attempts to make tight fitting wood joints or are hesitant to learn furniture joinery then this is the class for you! I am pleased to have furniture maker and teacher, Steve Butler here to teach this two day hands on class. We will examine different types of wood joints, explore why some joints are better than others and through discussion, sample making, and the construction of a small wall hung cabinet, we will look at the various ways of making 5 major wood joints. Using hand and power tools, we will demystify the dovetail, the box joint, the mortise and tenon, dadoes, rabbits and mitre joints. The cabinet you will make in class will give you great practice in putting your joinery skills to use. Steve graduated from Sheriden College and Queens University in Ontario, Canada and currently runs the wood studio at Peters Valley Craft Center. His work has been featured in Woodwork, Woodcraft, and The Crafts Report magazines. Steve exhibits his work throughout the United States and Canada. Don't miss this opportunity to improve your woodworking skills and have a great weekend! Tuition: $245.00 plus materials
Section 120608A: Saturday & Sunday , December 6 & 7, 9:30am – 5:00pm
Many of you have built the utility workbench which we feature in the school and have expressed the desire for a set of drawers to fit underneath. Tim Spratlin has designed a set of drawers which will increase your storage space for the essential tools you use all the time. This new class features working with plywood, doing a “miter fold” joint for the drawer case, making a set of drawers and using full extension drawer guides. The basic set of drawers is approximately 20” wide, 24” deep and about 13” high and incorporates 3 drawers. Students can opt to do one set or two sets (double the material charge). Sign up soon and make the most out of your workbench. Tuition: $245.00 plus materials
Section 022509A: Wednesday evenings, February 25 – March 18, 6:00pm - 9:30pm
Chippendale chairs are a great project for woodworkers. They combine complex joinery, sculptural shaping and carved details to produce a dramatic effect. In a typical 18th century approach, the methods used to build these chairs are systematic and can be applied to other designs.
The chair we will build in class is based on the “Country High Style” designs from the Chapin family of the Connecticut River Valley. These chairs keep the key features of Philadelphia style chairs, but use carving in a restrained way for visual emphasis. Ball and claw feet on cabriole legs, a pierced splat and a crest rail with scrolls and a shell are the carved elements you will learn to make. Just as important is the use of patterns and a shaping system to give a delicate and flowing appearance. The angled cant of the rear legs, the curved splat and the trapezoidal shape of the seat all combine to give interesting angled joinery challenges.
This class will meet four weekends (one a month) plus a single Saturday “review and catch-up” day” at the end. Each weekend will be a combination of joinery as we frame the chair, and carving demonstration and carving practice.
By starting the carving early on in the class you will have plenty of time for at-home practice and in-class review before working on the real parts. All joinery will be completed in class, but some assembly at home will be required. We will make the frame for the slip seat in class but the upholstery will be done on your own. Don’t miss this opportunity to learn from one of this country’s leading carvers and instructors. Space is limited so sign up soon.
Tuition: $995.00 plus materials
Section 030312A: Saturday & Sunday, March 3 & 4, April 14 & 15, May 5 & 6, June 2 & 3 & June 30, 9:30am – 5:00pm
The ability to render plans accurately on paper is an essential skill when designing a piece of furniture. Not only does it give you a record of what you are making, but more importantly, it helps you work out many construction details and allows you to accurately visualize the project. We welcome back nationally known author, instructor and furniture maker Phil Lowe, for this unique hands-on class. This course will begin with the use of the drafting tools and line definition, followed by the principles of orthographic and isometric drawing techniques. Students will begin by learning to measure and draw a small table. You will then learn to accurately draw the joints that will be used which will help to visualize the mechanics of the project. At that point a full size drawing can be made, incorporating all the joints and their relationship to the whole project. We will also explore techniques of developing accurate drawings from a photograph. Don’t miss this opportunity to learn these valuable skills from one of our leading craftsmen. Tuition $245.00 (plus materials)
Section 030709B: Saturday & Sunday, March 7 & 8, 9:30am – 5:00pm
The complexities of many Federal style furniture pieces demanded the extensive use of veneers as the only practical method of dealing with the inevitable “wood movement” while allowing the use of precious woods to cover large surfaces. Inlays utilizing different patterned bandings where then used as decoration, but more importantly, to protect the delicate edges of the veneers used. We are pleased to have Phil Lowe, one of this country’s leading experts on 18th & 19th century furniture styles and techniques, back to teach this exciting and informative class. Phil will teach techniques for creating designs with the veneers along with methods to make various decorative bandings. Veneering a curved surface will be explored along with hammer veneering techniques and the many advantages of using hide glue. Don't miss this opportunity to learn from one of this country's leading authorities on traditional furniture designs and techniques. Tuition: $245.00 (plus materials)
Section 040409B: Saturday & Sunday, April 4 & 5, 9:30am – 5:00pm
In this fast paced class students will have the opportunity to build the traditional cabinetmaker’s workbench they have dreamed about! Let’s face it- the benches we build in the school during the year are great (especially for the price!) but nothing beats working on a traditional workbench constructed entirely of 8/4 and 12/4 rock maple. A flat top, wide enough to accommodate most work (24”), wooden bench dogs to hold the work in conjunction with the end vise, a sturdy shoulder vise, a tool tray to keep the smaller tools you are working with in one place and about 300 pounds of dead weight all make this bench a pleasure to work on. The massive trestle base joined with wedged mortice and tenons knocks down for easier (relatively!) moving. This is a great project to further your woodworking skills and is a bench you will treasure for years and pass on to future generations. Some homework will be required. The 4 weekend format allows students the time in between sessions to get necessary handwork complete. Sign up today- space is limited- and be ready to work hard! Tuition: $895.00 plus materials (payments can be made over the course of the class if you prefer)
Section 022010A: Saturday & Sunday, Feb20/21, March20/21, April 10/11 & May 8/9, 9:30 - 5:00pm
(note: Bench we make in class will be very similar to the one pictured here. Image used with permission of Lie-Nielsen Toolworks)
In this new class we jump into the world of electric guitar construction. Beginning with this new project students will each build their own guitar based on the world famous Fender Telecaster (yeah- that's the one Bruce Springsteen plays!).
Starting with a solid white ash body we will bandsaw and rout the basic shape, fit and fine tune the maple neck (we will purchase pre-made necks for this beginning class), fine tune the rosewood fingerboard and install all the hardware, electronics and both pickups. Finishing is an important part of any guitar so we will also spend a few nights of class time applying your choice of three different finishes (clear, "butter" or cherry). The last night of the class will be final setup & tuning of the guitars and then a jam session to prove how good they are! Sign up today for this exciting new class and have the satisfaction of building (and playing) your own heirloom quality instrument. Tuition $345.00 plus materials.
Section 110209B: Monday evenings, November 2 - December 28, 6:00pm - 9:30pm
Chip carving is a technique in carving which involves the systematic removal of triangular chips of wood to produce dramatic geometric designs and patterns. It is a very accessible form of carving in that it does not require a huge investment in carving tools (two carving knives does it!), the layout is fairly straightforward (using a ruler and compass) and the basic cuts and designs are simple enough that a total beginner will have immediate success. Janet will start the class by going over the tools, layout techniques, the basic designs and sharpening. The second day of the class will be spent on carving sample boards, practicing and developing more complex designs. A few specific tools will be required for this class. You can inquire when signing up or get the tool list from the school website- www.schoolofwoodworking.com Don't miss this great new class. Tuition: $245.00 plus materials.
Section 120509B: Saturday & Sunday, December 5 & 6, 9:30 - 5:00pm
Carving has always been a hallmark of high end furniture. These details have been carved for most of the major furniture periods. This workshop involves many familiar styles of carving, such as drapery, flowers, quarter fans, leaves, and architecturally inspired elements. These samples will be a value for future projects and build strong hand skills. This class is a continuation of Dan's Intro to Woodcarving class and will reinforce the skills learned previously and introduce many new skills. Some previous carving experience or class is strongly recommended. Some specific carving tools will be required. That list can be viewed at http://www.schoolofwoodworking.com/ . Tuition $245.00 plus materials
Section 060609B: Saturday & Sunday, June 6 & 7, 9:30am - 5:00pm
This class has been RESCHEDULED
new dates are
Saturday & Sunday, September 19 & 20, 9:30am - 5:00pm
tool_list_dan_faia_intermediate_carving_2009
In this new weekend class students will learn to carve a Bellamy inspired Eagle. The eagle has to be one of the most recognized American symbols and carvings by renowned eagle carver John Haley Bellamy have fetched tens of thousands of dollars and are heavily sought after by collectors. This particular mid to late 19th century pattern eagle is 38" in length and was originally painted red, white and blue. These ornaments can easily be adapted in design and scale for signs, furniture, or to stand alone painted or gilded. All levels of experience are welcome, sharp tools are a must! Dan Faia is a professional furniture maker and carver who teaches the full time furniture making program at the North Bennet Street School in Boston. The tool list for this class will be posted at www.schoolofwoodworking.com by mid summer. Sign up soon- space is limited. Tuition $245.00 plus materials
Section 110709A: Saturday & Sunday, November 7 & 8, 9:30am - 5:00pm
"Painting in Wood" dates all the way back to ancient Egypt. In this class, we will scratch the surface of this ancient method of ornamentation. We'll look at tooling, veneers, substrates and adhesives and discuss various approaches to cutting and assembly an image. We'll apply these techniques to furniture inlays such as the ornamental ovals or paterae that adorn the top of Federal card table legs or are set into the middle of a table top or apron. We'll spend some time on geometric patterns or parquetry as well. The possibilities are endless and this great new class will get you started in the basics of marquetry as a design element to add to your repertoire of techniques. Sign up soon. Space will be limited. Tuition $245.00 plus materials
Section 101709B: Saturday & Sunday, October 17 & 18, 9:30am - 5:00pm
In their most basic form, tables are nothing more than four legs and four rails held together with tenons and case pieces are just dove tailed boxes with shelves or drawer frames inside. Having good sound techniques for building these basic pieces gives you good strategies for dealing with more complex variations on the basic forms. Adding a drawer to a table involves new technical problems. Adding multiple drawers, either side by side or stacked vertically, complicates construction even more! And angled or curved parts go one step further. Similar issues appear in case work as the form becomes more complex. The trick is to recognize more complex problems as the extension of solutions used in simpler examples.
In this hands-on class we will build mock ups of the typical joinery problems found in most tables and case pieces. Using a combination of hand and power tools, each student will make several mock ups and learn to convert simple examples into more complex ones. These samples will be a physical record that will be an invaluable reference for future work.
We cannot expect to build an entire project in one weekend but you can learn a systematic approach to solve many common joinery problems. For those of you who have not taken a class with Will you really owe it to yourself. You will learn way more than you ever thought possible! Tuition $245.00 plus materials
Section 101009A: Saturday & Sunday, October 10 & 11, 9:30am - 5:00pm
Basic woodworking machinery can be efficient, especially when making multiple parts. But in many instances the basic machine is not enough to hold and guide the parts safely and accurately. This is when you realize that some other fixture needs to be made to work along with the machine (or sometimes with hand-tools). An important part of your woodworking skill is knowing how to design these shop made additions to enhance the machine's capabilities. There are always issues of safety, indexing, clamping and accuracy. These concerns grow as the parts become large, angled or curved. A task as basic as mitering a frame is easier with a shop made jig for the table saw, rather than relying on the factory made miter gauge. Common joinery such as tenons and dovetails are also easier and more accurate when made with shop built jigs. This class will concentrate on teaching students the basic methods and thinking that goes into any well made woodworking jig or fixture. We will start off with some very basic fixtures such as a cross cut sled or a tenoning jig and move on to more complex jigs to hold curved work, cut angled joinery or other specialized tasks. To reinforce the ideas and methods that Will is teaching students will each make the parts for a miter jig that can be used on your own tablesaw. You will also get a chance to use several other shop made jigs to get the feel for how they were made. Most importantly you will learn to problem solve and design your own jig to solve a specific woodworking problem you may encounter in the future. Whatever your skill level, you will learn some new tricks that will make your work safer, faster and more accurate. Sign up today, space is limited. Tuition $245.00 plus materials.
Section 120509A: Saturday & Sunday, December 5 & 6, 9:30am - 5:00pm
Learning blacksmithing is great and it is a lot of fun and challenging- but most of us are woodworkers and wouldn't it be great to be able to apply some of those blacksmithing skills to our own furniture work. Here is your chance to do just that. Join accomplished blacksmith, Walter Scadden as we explore the possibilities of making your own hardware or hinges for your own woodworking project. Maybe you are thinking of making a Greene and Greene cabinet that needs a rustic looking iron door pull or maybe you have something in your home that would look great if you only had the right hinge on it. Bring your imagination
(and a sketch if you have something specific in mind). If we can make it then we will! Tuition $245.00 plus materials
Section 112109B: Saturday & Sunday, November 21 & 22, 9:30am - 5:00pm
The Federal period features some of America's truly unique furniture and is noted for its clean lines, impeccable workmanship and intricate ornamentation. Join one of this country's leading furniture makers, Phil Lowe, for this unique opportunity to construct a Serpentine front writing desk with drawers, veneer work and inlayed legs. As with all of Phil's classes, we will start off with designing and making a full size drawing of the writing desk. This will solve many of the proportion and joinery problems before any wood is even cut. Creating the serpentine curve on the front will utilize the traditional "bricklaying' technique followed by hammer veneering the front apron. Inlays are a big part of this type of furniture and students will be encouraged to do their own inlay work on the desk at home (after Phil's demonstrates the techniques for both the inlays and making the appropriate tools). This is not a beginner class but if you have done a few classes here at the school or have been working on your own for a while then you owe it to yourself to take this class and learn from one of the best instructors around. As with all of our weekend "series" classes, homework in your own shop will be required. Sign up today- space is limited. Tuition: $895.00 plus materials
Section 091909A: Saturday & Sunday, September 19 & 20, October 24 & 25, November 14 & 15,
and December 12 & 13, 9:30am - 5:00pm
Desk pictured is similar to the one we will build in class
We are pleased to have Phil Lowe, one of this country’s leading experts on 18th & 19th century furniture styles and techniques, back to teach this unique and exciting class. This class will meet for one weekend per month for four months (8 full days) which will allow students extensive time for “homework” in between sessions. Phil will begin the class by making a full-size drawing of this graceful table and demonstrate how to make the patterns for the cabriole legs. The cabriole legs will have the pad foot which involves some work on the lathe. Students can do their own turning or have Phil do it for them. Sizing the parts, shaping the cabriole legs and cutting and fitting the mortice & tenons will keep you busy while you decide if you want to do the carved shell on the knees of the legs. That is an option that Phil will be demonstrating and encouraging. The curved bottom of the aprons add a measure of grace (and more than a little complexity) to this seemingly simple table. Glueing up the top, making the mitered moldings around the top and making the candle slides will complete the table. Don’t miss this opportunity to make this heirloom table while learning with one of this county’s leading craftsmen. Sign up today- space is limited. Tuition: $895.00 plus materials (note: payments can be stretched out over the couse of the class if you prefer)
Section 102409A: Saturday & Sunday, October 24 & 25, November 14 & 15, December 12 & 13, and January 30 & 31, 2010, 9:30am – 5:00pm
In the Telecaster class we utilize a pre-made neck which makes that class manageable but many students have expressed the desire to make their own neck. In this class students will build a telecaster neck from the ground up. We will begin with a discussion of the materials and the design and then move on to fabrication. Each student will turn rough lumber into a finished product using rock maple with a rosewood fretboard. Each student will hand carve their own neck. We start by using a 45 degree bit to take away excess while retaining symmetry, then move on to rasps, card-scrapers, and sandpaper. We will install a dual action truss-rod, slot for and install 20 frets, pearl inlays, and a bone nut. The neck will be sprayed with lacquer and ready to bolt onto your Telecaster (or it will give you the motivation to take the class and make your own Telecaster!). Other guitar necks may be a possibility but you will need to check with the instructor first. Tuition: $345.00 plus materials
Section 012510B: January 25— March 15, 6:00pm - 9:30pm
In this new class students will get the chance to learn a lot of new skills all packed into one weekend. The small mahogany box we will be making will feature dovetails, veneer work, an inlayed banding on the top and setting hinges. This is a great chance to learn a unique (and quick!) way of cutting dovetails- 1/2 on the tablesaw and 1/2 by hand. They come out great every time. Maybe you have been wanting to learn some veneering techniques and a little about inlaying a decorative banding or stringing detail- Here is your chance. If you have made some inlays in the past, a shaded fan or a marquetry paterae, then this would be a perfect place to use it. Don’t miss this opportunity to learn from one of the country’s leading craftsmen. Sign up today - space is limited. Tuition: $245.00 plus materials.
Section 021310A: Saturday & Sunday, February 13 & 14, 9:30 - 5:00pm
general tool list
(will open in a new window)
People toss around furniture terms everyday- “that’s a Sheraton this” or “a Hepplewhite that”- this is Chippendale and that is Federal- But what does that all mean? Join noted furniture historian and restoration expert, Nickolas Kotula as we explore the fine points of furniture styles and clear up any confusion you may have about the subject. By using both slides and lecture Nick will show you such things as why people refer to claw and ball feet as Chippendale Style when in fact there are no claw and ball feet in Chippendale's Directory! Or what actually determines the Federal Style or Revival Style.
The first half of the class will be lecture and discussion and then after lunch we will all travel to the Connecticut Historical Society to take an in depth tour of their extensive furniture collection which will illustrate the styles that Nick will be talking about.
Don’t miss this unique opportunity to learn more about an often-time confusing and misleading subject. Tuition: $145.00 (admission to the museum included)
Section 030610B: Saturday, March 6, 9:30am - 5:00 pm
When Eliphalet Chapin returned to the Hartford area after a stay in Philadelphia, he began a unique regional interpretation of 18th century high style furniture. His genius was in simplifying the decoration while retaining the essential features. Called dressing tables in the period, lowboys are an interesting form: a case piece based on table construction methods.
In this class we will build a lowboy based on examples from "the Chapin School". The joinery is complicated by the wide rails and arrangement of the drawers. You will learn systematic approaches for shaping cabriole legs and setting in fluted quarter columns. The carving of the fan drawer and the ball and claw feet will be taught on sample pieces early in the course, giving students ample time for practice and review. The five weekend format allows plenty of time for practice carving and homework in preparation for each class. This is a beautiful piece with many challenging aspects for any woodworker. Tuition: $1095.00 plus materials
Section 021310A:
Saturday & Sundays, February 13 & 14, March 27 & 28, April 24 & 25, May 15 & 16, June 5 & 6, 9:30am - 5:00pm
Will_Neptune_tool_list_Chapin_Lowboy__2010.pdf
This class is being offered exclusively to Society of American Period Furniture Makers. If you are not already a member please contact the society at http://www.sapfm.org/ to join
The furniture built by the Seymour family in Boston, MA is some of the most refined work from the Federal Period. Work Tables, with hanging cloth storage bags, were a popular form built in many shapes. They typically used veneer and inlays for visual effect. Today, tables based on these designs are often built without the bag and used for different purposes.
The project for this class is small, but full of interesting details and problems. The turned legs are reeded below the drawers, and stop fluted at the top. The four sides are a serpentine pattern, with the legs joined to canted corners which form an ovolo shape. This pattern is repeated by the top which has a four way book match of Crotch Mahogany. The design requires both rails and drawer fronts to be shaped, veneered and inlaid on curved surfaces. There are interesting joinery problems for the canted corners and the sliding frame.
We’ll build this piece using a combination of traditional and modern methods, with options based on personal preferences. There won’t be time in class to turn the legs, so if you don’t already know how to use a lathe, we will supply the legs. If you prefer, you can copy the pattern and do the turnings at home. Either way, you’ll get to cut the reeds and stop flutes with carving tools and shop made scratch stocks. The joinery, shaping and veneer work will be done in class, but be prepared to complete the project at home. The table will have the slide frame, so you can add the bag later, if you wish.
Tuition $695.00 plus materials
Section 022810A: Sunday - Friday, February 28 - March 5, 9:00am - 5:00p
CVSW is hosting the SAPFM meeting Saturday, February 27. The presenters for this meeting include Robert Mussey, Nickolas Kotula and Will Neptune.
Robert Mussey, author of The Furniture Masterworks of John & Thomas Seymour ,will give a presentation on the Seymours of Boston- concentrating on their unique styles, ornamentation and methods of joinery.
Nick Kotula, a noted New England furniture conservator and authority on period furniture will give a presentation on “ A deeper look into period furniture” . Nick will discuss the evolution of American period styles and will illustrate the psychology and significance of furniture and its ornamentation.
Will Neptune will speak on “Construction Details in Federal Furniture" which will be a series of demonstrations showing common techniques and methods of work. Federal furniture often includes veneer over curved surfaces. These cores can be used as rails, drawer fronts and doors. Stack laminating, brick laying, kerf-bending, bent lamination and coopering will be shown. Joinery for these curved elements require interesting lay-out strategies which will be illustrated with a series of detail mock-ups. Methods using traditional hand tools and their modern machined equivalents will be covered. Several different methods for the layout and cutting of reeds on turned legs will also be demonstrated.
The non-refundable attendance fee for the meeting (to cover the cost of the speakers) is $30.00 for SAPFM members and $35 for non-members. To attend, you must register with payment no later than February 22, 2010. Please contact New England Chapter president, Freddy Roman ( This email address is being protected from spambots. You need JavaScript enabled to view it. ) or Mickey Callahan ( This email address is being protected from spambots. You need JavaScript enabled to view it. ).
The attendance fee can be paid by check made payable to SAPFM and mailed to SAPFM, 14 Reservoir Drive, Bellingham, MA 02019 or by credit card using the sign-up form on the SAPFM website at www.sapfm.org. Seating is limited so don’t delay.
This event is open to all SAPFM members and their guests and will be also open to the general public on a first-come, first-serve basis.
We've all seen the Blacksmiths in historic movies or programs, read about them in books or seen them in places like Sturbridge Village, Mystic Seaport, or Colonial Williamsburg. Have you ever wondered what it's all about or wondered if it was something you would like to try? This is the class for you! This one day class will give you a little history of this time honored craft and, better yet, give you a chance to try your hand at making a few simple items. Open to beginners and anyone interested in learning the secrets of the Hammer and Anvil. Sign up today! Tuition: $120.00 (materials are included)
Section 040310A: Saturday, April 3, 9:30am - 5:00pm
Traditional graceful compound curves in sheet metal have been produced by skilled craftsmen, from the exotic shapes of finely crafted European sports cars, the forms of experimental aircraft of the 40's and 50's, to the interesting forms found in sculpture and architecture today. This unique course offers students and introduction and instruction in the use of hand operated tools, the English Wheel, Bead roller, simple radius forms, benders and hammer and shot bag, to create the desired compound curves. Students will have the opportunity to experience the forming of panels into a myriad of forms. Your imagination can run wild while you come up with the endless applications for shaping metal to your requirements. Don’t miss this great opportunity to learn some new skills and have a great time doing it! Tuition: $255.00 plus materials
Section 032611A: Saturday & Sunday, March 26 & 27, 9:30am - 5:00pm
In this new class Phil Lowe will guide you through the making of a stunning wall mirror in the Chippendale style. This classic frame will give you some challenges in getting the miters just right along with teaching you some techniques for making a complex decorative molding with the router table. After drawing the full size frame on paper (which is a great way to solve any construction and aesthetic questions before even touching the wood) Phil will show you the approach to designing the molding around the router bits you have available and how to draw and attach the elaborate cresting. You will also learn how to master the scroll saw to cut the beautiful curves that make this frame so extraordinary. Sign up today to make this project for your home. Tuition: $245.00 plus materials
Section 050110A: Saturday & Sunday, May 1 & 2, 9:30am - 5:00pm
In this new Electric guitar class you will choose between making a Stratocaster or a Telecaster Custom. Students will make their own Alder guitar body from start to finish, including all the sawing ,routing, and spray finishing. Unlike the other Telecaster class we will make the neck from scratch using rock maple with a rosewood fingerboard. This added challenge gives you the opportunity to learn about important neck elements such as truss-rod installation, shaping & carving, and fretting. Students will finish and assemble their guitar completely and learn about setting it up to ensure the ultimate playability out of their instruments. You will leave this class with a finished guitar along with having the pride of crafting an instrument completely self-made. Tuition: $495.00 plus materials
Section: 091610B: Thursday evenings, September 16 - December 9, 6:00pm - 9:30pm
We are pleased to offer this unique hands on class with America’s premier plane maker, Thomas Lie-Nielsen. This one day class will focus on the basics of using hand planes with an emphasis on sharpening techniques. The class will also feature discussion and demonstration of setup, tuning, maintenance and using hand planes as well as choosing the right hand plane for the job. Thomas will also discuss the history of Lie-Nielsen Toolworks and give you a look at a day inside this unique American company. Bring your handplanes with you as this will be a hands on class. Plan on spending a good portion of the morning getting those plane irons razor sharp. After lunch we will concentrate on setting up the planes and using them to take the finest full width shavings that you have only wished you could do before! Thomas will be happy to sign your tools if you wish. Don’t miss this exciting new class.
If you really want to overload on handplanes then make a weekend of it and sign up for Matt Bickford's "Using Wooden Molding Planes" Saturday & Sunday, January 21 & 22!
Tuition: $95.00 materials are included
Section 012012A: Friday, January 20, 2012, 9:30 - 5:00pm
In this new class students will get the chance to learn a lot of new skills all packed into one small project. The small walnut box we will be making will feature dovetails, veneer work, an inlayed banding on the top and setting hinges. This is a great chance to learn a unique (and quick!) way of cutting dovetails- 1/2 on the tablesaw and 1/2 by hand. They come out great every time. Maybe you have been wanting to learn some veneering techniques and a little about inlaying a decorative banding or stringing detail- Here is your chance. Imagine a top of flame birch, birdseye maple or crotch mahogany! Don’t miss this opportunity to add to your woodworking skills while making an attractive and useful little storage box. Sign up today - space is limited. Tuition: $395.00 plus materials.
Section 101211A: Wednesday evenings, October 12 - Decmeber14, 6:00pm – 9:30pm
Note:New date!
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This exciting new class features a small Federal or Sheraton style side table with a whole lot of challenges and a boatload of new skills to be learned. The focus of this class will be efficiency– in joinery, in ornamentation and in design. Efficiency in joinery means doing as much joinery as possible all at once and making joints that fit right off the machines. This project also features many techniques that may be new to a number of you. Working with veneer for the drawer front & top, dovetailing and cockbeading a drawer, and adding crossbanding and stringing to the table top all turn a basically simple table into an heirloom piece you can be proud of. This is a simple traditional Federal table which will fit with just about any home décor (and is small enough –18” wide X about 25 inches deep,) to fit just about anywhere. Sign up soon– these are some skills you will be able to use over and over. There will be certain handwork that you may be required to complete outside of class. Please make sure you are willing to do that before signing up. This is going to be a fun class! Tuition $595.00 plus materials
Section 192910A Wednesday evenings September 29– January 11, 2011, 6:00pm—9:30pm
Table pictured is similar to the one we will make in class
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Hand tools are often the best way to achieve the final perfect fit in joinery. Accurate layout and skill with chisels, planes and saws are crucial. The ability to do accurate work starts with tuning and sharpening these tools. Subtle changes to even new tools can make a big difference to your work.
Some of the valuable skills you will learn in this extended two weekend class include sharpening a back-saw and adjusting the set along with techniques for accurate sawing. Setting up and sharpening a bench plane will be covered with an explanation of how block and rabbet planes relate to these methods. Methods for flattening the backs of chisels and the use of hollow grinding before hand honing will also be taught. A simple project done entirely with hand tools will allow each student to apply and practice the skills being offered.
Most of the cutting and marking gauges for sale are either very expensive or don’t work very well. A clean line that registers your chisel will make joinery much easier. Each student will also make a cutting gauge in class with an adjustable knife that can be removed for sharpening. Having an accurate and effective tool that you have made will give you years of satisfaction along with some special skills that you will have for life.
Exercises in class will give you a chance to practice sawing and paring to a line for tenons and dovetails. You will also practice using a bench plane to true up surfaces, adjust edges and fit miters. The use of the plane for cutting “spring joints” for edge gluing will be demonstrated and mastered as well.
If you don’t feel confident that you can improve machined parts using hand tools, this class is for you. Loose your frustrations while learning from one of this country’s leading craftsmen. Tuition $495.00 plus materials
Section 101610A: Saturday & Sunday, October 16, 17 and November 13, 14, 9:30pm – 5:00pm
NOTE - NEW START DATE
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The iconic Newport Shells seem to get all the attention, but New England had a wide variety of other interesting patterns to use on furniture. Many are based on simple compass arcs and can be carved by a beginner. Fan drawers are seen on dressing tables and high chests and guide the eye to the center of the piece. Scallop shells are used as knee carvings on cabriole legs to emphasize the curve of the knee.
We will carve sample boards of several different types of fans and a mock up of a cabriole leg. Demonstrations will show the similarity of layout and carving techniques. Each piece will be explained as a clear series of simpler steps and similarities between them will be explained. These carvings can dress up a wide range of furniture projects and are a great way to learn basic carving.
If you have wanted to try carving or add some new designs to your repertoire, this class will give you a chance to practice with guidance. Some specific Carving tools will be required. Click on the tool list below. Tuition: $245.00 plus materials ($26.00 plus tax)
Section 121110A: Saturday & Sunday, December 11 & 12, 9:30pm – 5:00pm
Slip seats are upholstered frames typically used on dining as well as other traditional or period-style side chairs. In this hands-on class, students will first build a typical hardwood frame and then upholster it using jute webbing, rubberized horse hair, raw cotton batting, and muslin. Alternate methods of building a slip seat frame will also be discussed. Students will be required to provide their own hand tools and finish fabric if desired. All other materials will be supplied by the school. A separate tool list will be available on the school website. Tuition $255.00 plus materials
Section 020511B: Saturday & Sunday, February 5 & 6, 9:30pm – 5:00pm
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Greene & Greene furniture represents some of the best work ever done in the Arts & Crafts Style and west coast furniture maker, Darrell Peart indulges his passion by working and teaching primarily in the style of these two California designers who so successfully blended some of the best features of the Arts & Crafts movement with some of the subtleties of Asian furniture. When building furniture in the Greene & Greene style, it is essential to have a working knowledge of the design details employed by the Greene Brothers. In the process of assembling the sample piece shown here each student will learn how to produce several G&G details with step –by-step instructions and detailed drawings for all the jigs involved. Class discussion will also include Darrell’s views on how each of the details relate to the overall design. It's an informal atmosphere with a chance to talk woodworking and Greene and Greene. (two of Darrell’s favorite subjects) along with learning some great techniques to incorporate into your own furniture making endeavors
The topics that we will cover in class include: blacker brackets, breadboard construction, the G & G signature exposed ebony splines and proud ebony square plugs along with cloud lifts and leg indent details. Don’t miss this unique opportunity to learn from one of this country’s leading authorities on the Greene and Greene style. Tuition $325.00 plus materials
Section 031712A: Saturday & Sunday, 2012. 9:30am - 5pm
(note: This class was originally scheduled for March 31 / April 1)
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This new class with Tim Spratlin will feature an elegant but simple bench, loosely following Arts & Crafts & Asian design ideas. The bench will feature thru tenons, shaped stretchers at the top, curved stretchers under the seat and a variety of choices for the seat. Combinations of wood species could be used for this bench and seats could be made from solid wood, a combination of wood and tile or it could be upholstered- the choice is up to you. We will be offering the choice of walnut, cherry or tiger maple as your material. Sign up soon- this new class will teach you new skills and you will have a great looking bench that will grace any hallway, entry way or any other room. Pictured bench is similar to the one we will make in class. Tuition: $395.00 plus materials
Section 120610A: Monday evenings, December 6 - February 14, 6:00pm - 9:30pm
Bench pictured made by Paul White - Photo by Dan Morgan
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A workbench is an essential part of your woodworking tools, but they only do part of the job. There are a whole bunch of jigs and fixtures that need to be made to make your workbench realize its fullest potential and make holding the work easy and efficient for you. This class will feature three of the most important workbench accessories- shooting boards, bench hooks and a bench slave (more if we can fit the time in).
The shooting board is an essential aid in squaring the end of a board with a handplane (or adjusting a miter with a handplane. The bench hook is the easiest and quickest way to hold work when you are sawing or adjusting the shoulder of a tenon and a bench slave is an adjustable support that will hold the other end of a long board at whatever height you need it to be (lots better than the milk crates that a lot of people end up using!) Here is an opportunity to dedicate the time to making some shop aids that you will probably never get around to making on your own- but when they are done you will not believe that you have been working without them. Sign up today.
Tuition: $245.00 plus materials
Section 112010A: Saturday & Sunday, November 20 & 21, 9:30am - 5:00pm
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Figured veneers and inlays on curved surfaces give a piece of furniture a dynamic presence. Light strikes the surfaces at many angles, enhancing the look of the veneer. Working with curved parts and veneers offers students challenges and opportunities that would be impossible with solid & flat square parts. Nationally know furniture maker, Will Neptune is exceptionally good at teaching new students the techniques needed to incorporate these design elements into their projects which in this class will be a pair (or just one if you prefer) of elegant small oval side tables. The project for this class (which will meet one weekend per month for three months) will give students a chance to learn veneer work on flat and curved surfaces, as well as inlay techniques for stringing and banding. The curved elements look like they would be difficult to form and join, but they can be built efficiently with the bricking method. You will learn vacuum bag veneering and low-tech tricks for clamping on curved surfaces. Book and four way matching will be covered, along with tricks for tuning and using veneer saws. Basic banding making will be demonstrated. We will work on sample parts in class to practice the techniques, with homework between classes to complete the multiple parts. If you want to try veneer work and get away from pieces that are flat and square, this is a great way to start. Students will have the choice of building one or two tables in class. Sign up today. This is an opportunity to work with one of the best craftsmen and instructors in the country. Tuition $725.00 plus materials
Section 031211A: Saturday & Sunday, March 12/13, April 9/10 & May 14/15, 9:30am - 5:00pm
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Bandings makes furniture alive with contrast and subtle elegance. This hands-on class will focus on how these complex bandings are made and then set into furniture components such as legs, aprons and tops. We will start with some simple patterns and work towards the more complex, such as herringbones, arrow bandings and the distinctive lunette bandings employed by John & Thomas Seymour at the dawn of the nineteenth century. This unique class will allow you to appreciate some of the ingenious ways in which this decoration can be fabricated which will allow you to add another design dimension to your work, be it traditional or contemporary. Steve Latta is one of this country’s leading authorities on Federal furniture, Inlays and decorative bandings. Don’t miss this opportunity to learn from one of the best! Tuition: $245.00 (plus materials)
Section 012211A: Saturday & Sunday, January 22 & 23, 9:30am – 5:00pm
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Lets face it- any guitar you build yourself is always going to be better than something you buy- right? (everyone knows that!) So get in on this unique class while you can.
You will be building a single cut-away Les Paul Jr. in your color choice of cherry red, tv yellow or two-tone sunburst. We will be utilizing the “set-neck” construction technique which is a process where the neck is set to a proper angle in relation to the bridge height and then glued in place. The body and neck of the guitar will be made from exceptionally high quality mahogany and the ebony fingerboard will feature mother of pearl inlay dots. We will be using Kluson Tuners, a bone nut and Boutique quality P-90 pickup. Sign up today. Class size is limited. Tuition: $595.00 plus materials
Section 010611B: Thursday evenings, January 6 - April 7, 6:00- 9:30pm
This new class with noted furniture maker and instructor Phil Lowe is a great opportunity to get an introduction to the rudimentary techniques needed to produce a Marquetry pattern. Marquetry is the art of producing pictures made from veneers or different colored woods and textures and can add a marvelously playful and artful element to your projects. The class will begin by making a cutting platform with a bird’s mouth and a discussion on saw frames and blades required for this intricate work. We will create a small floral pattern that could be used to “dress up” a furniture piece at a later date. The Boulle Technique will be explored as well as bevel cutting and single piece bevel cutting.
Don’t miss this opportunity to work with one of this country’s master woodworkers. Sign up today- space is limited. Tuition: $255.00 (plus materials)
Section 031911A: Saturday & Sunday, March 19 & 20, 9:30am - 5:00pm
Most people have their tools in a few tool boxes or on a shelf or maybe even stuck in some old kitchen cabinets. Lets face it- that does not speak well for your own craftsmanship and it makes it harder to find the tools you are looking for. Why not spend a little time, make a nice cabinet and proudly display your handtools in a tool cabinet designed for just that?
This cabinet will feature a main carcase for large tool storage and a door accommodate hanging tools on the ionside of the door. The cabinet will be made from your choice of solid cherry, walnut or mahogany. The case and door both feature dovetails which will be made using a technique that incorporates both handcutting and the tablesaw.
The door features a veneered panel, bordered in an inlayed banding which will allow you some fun and creativity while learning a little about working with veneers and inlays. Interior dovetailed drawers are an option that will give you more practice making dovetails and give you a place to store those smaller tools that are so easily misplaced. We will spend as much time as possible designing and making fixtures on the inside to fit your own tool storage needs but the majority of the time will be spent on the construction of the case itself . Don’t miss out on this chance to finally start taking control of your tool collection! Sign up today, space is limited. Tuition $795.00 plus materials .
Coming summer 2012 as a 6 day week-long class
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Stop making compromises with your router. Stop getting “close enough”. Learn how to use some of the most abundant molding planes of the past to get the exact edge you are after. Hollows and rounds do not make specific profiles. They make specific arcs. Learn to transform these few arcs into scores of various profiles. From layout to execution, this weekend class will focus on creating various moldings with these extraordinarily versatile planes.
The class will start off with maintaining the cutting edge, then move to laying out and ultimately sticking (planing) several moldings that will range from simple coves and ovolos through ogees, cymas and various combinations. The class will focus on hollows and rounds sized 6 and 10 along with a rabbet plane. Students will have the opportunity to bring their own performing planes or they can use newly made planes by M. S. Bickford, planemaker. Students will also have the opportunity to use a larger range of planes.
Each student will leave with several picture frames and the ability to transfer moldings he or she sees in person or print into wood and onto their project. Sign up today - this is a great opportunity to learn the use of these versatile planes- and learn a little about how they are made. At the end of the weekend, Matt will make available for sale some of the actual planes you will be using. Tuition $275.00 plus materials.
Section 022313A: Saturday & Sunday, February 23 & 24, 9:30am - 5:00pm
Join nationally know furniture maker and woodcarver, Al Breed for this unique one day hands-on class. The Rococo style is know for its intricate carved embellishments and Al will demonstrate the basic forms used in Rococo carving. We will work on a cartouche that has the usual assortment of c-scrolls, flowers, acanthus leaves, ruffles and rocks. You will need a number of specific carving tools for this class. That list is available on the school website www.schoolofwoodworking.com
This class is the perfect accompaniment to the SAPFM mid year conference being hosted by the school. If you are coming to this class you might want to consider attending the conference also. Complete info can be had at www.sapfm.org
Sign up soon- This class will sell out!
Tuition: $125.00 materials are included
Section 062711B: Monday, June 27, 9:00am - 5:00pm
The dressing table underwent a radical evolution during the Federal period bearing little semblance to its ancestor, the “lowboy” of the Queen Anne and Chippendale periods. The cabriole legs were replaced with long, slender legs that were tapered and adorned with inlay. The form became taller, less massive and architecturally more refined. As it changed stylistically, the dressing table gained a great deal of practicality that was lacking in its earlier forms. The piece we’ll be exploring is loosely based on a table that is part of Winterthur Museum’s permanent collection. (Montgomery #335) and can serve as a dressing table, a small server or as a writing desk. It has a long drawer resting over two narrow drawers with an arched knee cavity between them. The entire front is bowed or “sweeped” as described in original price books. It is an elegant piece offering a wide range of lessons on case construction, ornamental veneering and a broad assortment of inlay techniques.
During these classes, we will focus on developing the skills required to build and decorate this piece. Participants will work on a series of mock-ups before diving into the actual components which we’ll begin in class but will be finished between sessions in the privacy of their own homes in an unhurried, focused manner. Expect involved, satisfying days as your skills and knowledge grow. If you have been intrigued with veneers and inlays, interested in some complex joinery or just want to learn some great techniques from one of this country’s best furniture makers then you owe it to your self to sign up today. Expect involved, satisfying days as your skills and knowledge grow.
Tuition: $895.00 plus materials
Section 091711A: Saturday & Sunday, September 17 & 18, October 22 & 23, November 19 & 20, January 7 & 8, 9:30am - 5:00pm
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Light up your home with a classic Arts and Crafts lamp. In this class you’ll learn how to make fast, accurate joints on the table saw as well as the secret to creating the flowing curves that add elegance to the Arts and Crafts style. In addition you’ll learn a simple stained glass technique that yields impressive results which you can incorporate in other projects as well. Over the course of the class, you’ll make both the wooden base and the stained glass shade. The base is decorated with classic corbels that taper from the half-lap feet to the top of the center column where the shade supports branch out gracefully. The base can be made from your choice of white oak, cherry or walnut, and offers a great lesson in table saw joinery and designing with curves. The stained glass shade is made using a copper foil technique which is simple and fun, and requires just a few tools to get started. Sign up today- this class is sure to sell out! Tuition: $355.00 plus materials
Section 102011B: Thursday evenings, October 20 - December 22, 6:00pm - 9:30pm
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What can be more elegant, graceful and unique than the “rooster” cartouche which adorned South Windsor furniture maker Eliphalet Chapin’s high chests? And who better to teach the class than Will Neptune- who has studied Chapin’s work extensively and is one of the top carvers in the country. In this unique weekend class students will learn to shape and carve this striking pierced cartouche. Chapins' interpretation of Philadelphia Rococo design removes most of the fussy detail and relies on flowing curves for it's effect. Learning to make this streamlined cartouche doesn't require previous carving experience and is a great place to learn basic carving techniques. Sign up today- Space is limited. Tuition $255.00 plus materials
Section 100811A: Saturday & Sunday, October 8 & 9, 9:30am - 5:00pm
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For centuries maritime blacksmiths (shipsmiths) have been forging hardware for all sorts of boats- from small sailboats to fully rigged tall ships. Everything from cleats to belay a line to anchors to moor the boat- all had to be made by the shipsmith. So- who better to teach this class than Walt Scadden? Walter was the lead blacksmith on building the Amistad and ran the forge at Mystic Seaport for over five years. In this exciting new class students will each make a marlinspike and a pair of oarlocks. We will also work on an array of deck, rudder and sail hardware. The forging of larger projects, so necessary to any boat- anchors, chain plates, hawse pipes, etc will be discussed and explained. Sign up today for this exciting and fun class. Who knows- it may be the beginning of the boat you build! Tuition: $255.00 plus materials
Section 100811B: Saturday & Sunday, October 8 & 9, 9:30am - 5:00pm
Computer aided designing has become more and more widespread and consequently- a lot simpler than when it started out. Google SketchUp 8 is a free and powerful tool that is being used by woodworkers everywhere. The Pro version is used by professional to model and design everything from bottles to skyscrapers. We will use the free version to model a Bedside Table complete with tapered legs, mortise and tenon joinery, beveled top, dovetailed drawer trimmed with bull nose cock beading and a Shaker style drawer pull. We will begin by learning how to install SketchUp, setup application preferences, choose model defaults and customize a template. Next we will tour the work area and become familiar with its tools. The heart of this course is modeling the Bedside Table and producing dimensioned shop drawings and photorealistic textured images. Finally we will learn how to extend the functionality of SketchUp through the use and customization of Ruby scripts. A laptop computer is helpful for this two day class. Basic computer knowledge is helpful. If you have any questions please contact the school’s director, Bob Van Dyke. Sign up today. Tuition: $255.00 Materials are included
Section 120812B: Saturday & Sunday, December 8 & 9, 9:30 - 5:00pm
After many requests for this class we are pleased to add Acanthus leaf carving to Will’s excellent series of carving classes. Acanthus leaves are one of the most popular embellishments seen in traditional furniture and architecture. It's curling and flowing form can be adapted to a wide range of situations. This is a style of carving common to the knee of a cabriole leg. The topics we will cover include: pattern development, tool selection, grounding, setting in and modeling. You will learn how to carve the classic "pipes and eyes" and the twisting, fluted leaf tips typical of Acanthus leaves. The apparent complexity of leaf carving can be intimidating to the beginner. The key to learning traditional carving is to follow a systematic procedure, breaking the project into a series of simpler steps which assures a successful finished carving. Some specific carving tools will be required for this class. Please inquire when you register. Tuition $255.00 plus materials
Section 020412A: Saturday & Sunday, February 4 & 5, 9:30am - 5:00pm
Tool_list_Will_Neptune_Acanthus_leaf_carving_on_the_knee.pdf
So, you're a recent convert to Federal furniture and you've done a few sand-shaded fans? Great, but what's next? In this workshop, we'll delve into some of the other motifs commonly found in paterae, and explore their nuances and iterations as we tackle urns, eagles, and shells to give your work a distinctive edge. Students will practice the bevel, or conical, method of cutting overlapping pieces of veneer to make their own horizontal- and vertical-oriented paterae. Along the way, we will discuss how to develop a pattern, how to sequence the cuts for best results, and how to shade with hot sand. We will use a fret saw and a shop-made birdsmouth bench. Don’t miss this opportunity to create some truly distinctive inlay designs. Mark is a superb furniture maker and instructor- producing primarily Federal style furniture of the highest quality. Mark has also written numerous articles for Fine Woodworking Magazine and is the editor of the journal for the Society of American Period Furniture Makers.
Tuition: $255.00 plus materials
Section 042812A: Saturday & Sunday, April 28 & 29, 9:30am - 5:00pm
Thomas Jefferson, our third president, was also an inventor, architect and a prolific writer who was instrumental in developing our country’s Democratic form or government. He travelled extensively and his lap desk would accompany him so that he could stay on top of his correspondence and other writings.
In this new class with Mickey Callahan students will build an exact copy of the lap desk that now resides in the Smithsonian Institution in Washington DC.
A generous writing surface and small dovetailed drawers to store paper and pens make this period reproduction attractive to anyone on the go or simply as an elegant addition to your home. Either way- it is a great project that you will learn a lot from.
Sign up today! Tuition $495.00 plus materials
Section 042812A: Saturday & Sunday,
April 28 & 29 & May 19 & 20, 9:30am - 5:00pm
Lapdesk pictured was made by Jason Breen. Image used with his permission.
This is an intermediate course in Google SketchUp. The beginner’s course, A Beginners Guide to Using SketchUp in Woodworking, is recommended prior to taking this course. The free version of SketchUp will be used primarily, but the students will be exposed to the Pro version also. The focus of this course is modeling non-linear components, i.e., components with circular and complex shapes. The format of the two day workshop is six sessions, each session a one hour lecture followed by a one hour lab. Students should bring a laptop (notebook) to class with SketchUp 8 already installed.
Session 1 will begin with an arched rail for a clock door, the arch being a simple circular curve. Each session will progress to more complex shapes. Session 5 will focus on modeling cabriole legs using Bezier Spline curves. Each session will include an introduction to new tools - including a few Ruby script extensions to SketchUp - necessary to create these ever increasing complex shapes.
Finally, Session 6 will introduce the Pro version of SketchUp. The instructor will detail the differences in the free and Pro versions and even demonstrate a few of the new tools in SketchUp Pro 8. In addition, the student will be introduced to LayOut 3, a 2D presentation application that comes with the Pro License. Students will be shown how LayOut 3 can be used to create professional looking shop drawings and marketing materials.
Section 041412B: Saturday & Sunday, April 14 & 15, 9:30am - 5:00pm
Hone your woodworking skills on this simple, but elegant wall cabinet. Perfect for storing wine glasses or any other special things your family might treasure. The upper case has room for up to 18 wine glasses, while two drawers offer convenient storage. You'll never have to hunt for that cork screw again. Dovetails and through tenons add interest to the case and offer a fun joinery challenge. In this class you'll learn a great way to speed up hand-cut dovetails by getting a power assist from the table saw and router. In addition you'll learn how to make distinctive door joinery with just a dado blade. The doors are also a great place to add contrast and showcase book-matched panels. You can finish off the cabinet with rustic wood and rope handles or traditional arts and crafts hardware. Mike is the art director for Fine Woodworking magazine and makes beautiful Arts & Crafts Style furniture. His work can be seen at http://www.pekovichwoodworks.com/
Sign up today for this new and exciting class. Tuition $395.00 plus materials
Section 020212A: Thursday evenings, February 2 - April 5, 6:00pm - 9:30pm
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With more G&G details in your bag of tricks you will be better prepared to tackle Greene and Greene projects. This class will further explore and expand your Greene and Greene vocabulary. In this class we will make ,among other things, two drawer pulls that fit perfectly with Greene & Greene designs. The first- Blacker Triple Bar Pull will feather a router jig which each student will take home for routing the bar cavities. The other- the dowel and block pull is actually a James Krenov design.
We will also be using the tablesaw with the dado blade to produce tight fitting and distinctive finger joints using a method that allows you to easily produce accurate tight joints without having to change setups for different size drawers. Darrell will also go into the making of Base Straps which were used by Greene & Greene on the Ford Living Room Letter Case. It's a great detail for adding visual weight to a piece. We will also be getting into the making of the signature G & G ebony plugs which are so important to this style of furniture.
Join us for this great class and stay the next day to make the completely unique Tahoma Mirror/Picture Frame. Tuition: $325.00 plus materials
Section 031613A: Saturday & Sunday , March 16 & 17, 9:30am -5 :00pm
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When most folks think of inlay, what comes to mind is period American or English furniture with a standard catalog of equally traditional designs. In this exciting new class with nationally know inlay expert, Steve Latta, this age old form of ornamentation will gain firm footing in the twenty-first century. Pattern inlay involves creating designs executed with modern tooling combined with traditional materials. Through the use of simple and sometimes complex patterns, contemporary line work designs can be set into the wood. Floral patterns, animal forms, geometric or random designs are a few of the applications we’ll look at. Inlaid borders, also made with a pattern, will be covered as well. We’ll spend time gaining an understanding of the basic materials and techniques and then see where our imaginations take us. Topics we will cover in this class include:
The fundamentals of modern inlay including tooling and materials, Working up designs and learning how to set them as inlay, Making patterns for both simple and complex shapes, & Ornamental inlaid borders. Don’t miss this opportunity to let your creativity get the best of you! Sign up today. Tuition: $255.00 plus materials
Section 032412: March 24 & 25, Saturday & Sunday, 9:30am - 5:00pm
Boxes are fun to make and offer a variety of design possibilities in a small package. A mitered box is a fast and simple way to get started in box making. In this hands-on class with Fine Woodworking Magazine art director, Mike Pekovich, you'll learn how to get accurate mitered corners on the tablesaw and how to get a perfect grain match from face to face. You'll also learn the trick to stress-free glue-ups and how corner keys can add strength and beauty. The class will cover 2 ways to add a lid to a box and how to outfit the interior with dividers for a variety of uses. Each student will come away with a pair of boxes and all the skills necessary to make many more. Mike builds commission furniture in his Ct shop and his exceptional work can be seen at http://www.pekovichwoodworks.com/
Sign up today- this class will surely sell out. Tuition: $255.00 plus materials
Section 110312A: Saturday & Sunday, November 3 & 4, 9:30am - 5:00pm
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One of the most recognizable carved motifs on 18th century American Furniture is the fabulous shell carving found on Goddard-Townsend block-front casework. Harkening back to the Queen Anne period (1740’s), these large, unique shell carvings were the piece-de-resistance on Newport furniture well into the 1790’s. With their sinuous curves and multiple layers, they have seemed intimidating to many novice carvers who might like to take one on. They needn’t be. Like so many carving projects, it’s just a matter of knowing where to start, and then working progressively thru the stages until one has completed a masterful carving.
Usually when this motif is taught, it’s done as the convex shell that appears on either side of the three-shell group. This demo-class will emphasize the concave, or middle shell, which is somewhat more complicated, and hence more sophisticated. Still, it’s not beyond the scope of anyone with basic carving skills. We’ll learn how to layout the shell and rough out the general shape. Then we’ll sweep those glorious ogee-shaped lobes, and finish off with the miniature version of the shell in the lower center, and the fine vein that outlines the whole shell. Join us and learn this American icon.
Alf Sharp is one of this country’s première furniture makers. He works out of his Tennessee workshop, specializing in 18th century American and English designs.
Alf is the recipient of the 2008 Cartouche award from The Society of American Period Furniture Makers. He is also the president of the Furniture Society. Recent work can be seen in the magazine Woodwork, Feb. 2008 issue, and on his web-site, www.alfredsharp.com. Alf also writes for Fine Woodworking magazine.
Sign up today for this truly unique class. Some specific carving tools will be required. That list will be on the school website- www.schoolofwoodworking.com Tuition: $125.00 plus materials
Section 031112A: Sunday, March 11, 9:30am - 5:00pm
Here's a fun project that offers a fresh take on the arts and crafts style. This elegant little table is based on a Charles Limbert design, one of the lesser known, but more original makers of the period. In this 8-week course you'll learn how to create the organic curves that are a distinctive feature of Limbert's work. You'll also use a simple jig to cut perfect circles on the bandsaw. Finally, you'll finish the table with a traditional fumed finish that will compliment any arts and crafts project you build. You can do the table in cherry, walnut or the traditional 1/4 sawn white oak (please specify when registering).
This will be a great addition to your house and making it will definitely teach you new skills. Sign up today! Mike is the art director for Fine Woodworking magazine and makes beautiful Arts & Crafts Style furniture. His work can be seen at
http://www.pekovichwoodworks.com/ Tuition: $355.00 plus materials
Section 041812B:
The furniture makers of New England, both rural and urban alike, made huge contributions to what has become known as the Federal style. Stringings, bandings, pictorials and elaborate veneer work became the preferred method of ornamentation as the styling rebelled against what was perceived as the excesses of the Chippendale era. In major urban centers such as Boston and New York, skilled specialists emerged with turners, carvers, upholsterers, joiners, gilders, finishers plying their trades in burgeoning markets. Little information surrounds one such class of specialist, the inlayer, whose work reached its zenith during the Federal Period. Rural New England cabinetmakers, with no access to the wares of the inlayer, offered their own unique interpretations of the neoclassic style with its architectural and naturalistic motifs. Although perceived by many as the poor “country cousins” to the more established city shops, rural cabinetmakers such as Massachusetts’s Nathan Lombard displayed incredible ingenuity in his designs. Nationally known furniture maker, author and instructor, Steve Latta, hosts this unique one day hands-on class. Steve will demonstrate techniques for making and inlaying stringing and sand shaded designs that were typical of New England work. Students will have the opportunity to put the techniques to use while inlaying a sample table leg. Tuition: $125.00 materials included
Section 081812A: Saturday, August 18, 9:30am – 5:00pm
When I saw this bookcase on the cover of Fine Woodworking a nine years ago I knew that I would be doing it as a class- I just had to wait for the right time to put it on the schedule. Now is that time!
Rhode Island furniture maker Pete Zuerner built this handsome bookcase in cherry and vertical grain Douglas Fir but we will be doing it a little differently in class- cherry frame and tiger maple panels- to match the Arts & Crafts Cherry & Tiger Maple blanket chest we do in class periodically.
The class will begin with milling the cherry framework and gluing up the tiger maple panels. Careful selection of stock is important to make the most of the maple’s natural figure. We will have plenty of mortice & tenon joints to cut and fit along with sizing and surfacing the tiger maple panels. Once the panels are ready we will apply finish to them before going ahead with the assembly of the case. The moldings on the front edges of the shelves and the top will be done by cutting a cove on the tablesaw- a technique that may be new to many of you. Adding the adjustable shelves and installing the top will make this project ready to bring home- ready for finishing! The bookcase will be approximately 65” high, 40 1/2” wide and 14” deep- big enough to store plenty of your favorite books but not so big that it will take over the room. Sign up today for this great new class. Tuition $495.00 plus materials
Section 020613A: Wednesday evenings, February 6 - April 17, 6:00pm - 9:30pm
(image used with the permission of Pete Zuerner)
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Power tools are fast, efficient, and accurate, but they’re not always the right tool for a job. That’s especially true when you’re working with small parts. One job that’s always a bit tricky with power tools is cutting grooves for bottoms in small drawers and trays, the kind you find in jewelry boxes and small wall cabinets. These grooving planes are the perfect alternative. They’re designed to always cut a groove in the same location, so there’s no setup involved. Just pick up the plane and go. That makes them just as fast (if not faster), efficient, and accurate as your tablesaw and router table. And then there’s the added benefit of being able to work quietly at your bench as one delicate shaving after another falls from the plane.
In this class you’ll make a pair of planes, so that you can always cut with the grain. But don’t worry, that’s not as big an undertaking as it might sound. We’ll use the Krenov method of sandwiching two sides around a center that works as both the bed and throat. The bed is guaranteed to be flat, because it’s cut at the tablesaw before the plane is glued up. And the wedge is fit before the glue-up, too. So, you know it’s going to work great. For irons, we’ll use blades from Lie-Nielsen that come heat treated and with the bevel ground. All they need is a bit of honing.
At the end of class, you’ll have a pair of planes ready to be put to use in your next project. Tuition $255.00 plus materials
Section 092912A: Saturday & Sunday, September 29 & 30, 9:30am- 5:00pm
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The basis for all joinery is the ability to work to layout lines with saws, chisels and planes. To do this, your tools must be properly prepared and sharpened. If you are frustrated with the results you get with hand tools or doubt that you can improve the fit of machine cut joints then this is the class to improve your skills and take you woodworking to the next level.
In this class you will learn a controlled and repeatable method for sharpening edge tools that will cut end grain cleanly and accurately. We will tune up and adjust rabbet and router planes so they can be used for accurate joinery. Then in a series of bench work exercises, beginning with accurate layout techniques, you will learn how to work from reference surfaces to hand cut accurate joinery, usually more quickly and accurately than you could by machine. These exercises include half laps, bridle joints on curved rails and housed tapered(sliding) dovetails. This is a chance to practice working with chisels and planes and hand saws with one of this country's master furniture makers. You will need certain tools- including a rabbet (shoulder) plane and a standard size router plane. The full tool list can be seen on the school website. Don't let handtools continue to frustrate you- sign up today. Tuition: $255.00 plus materials
Section 102712A: Saturday & Sunday, October 27 & 28, 9:30am –5:00pm
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What? A free class??? Why not- right? One of my regular students had the idea that some people might be more inclined to come back and tackle some of the more “challenging” projects if I offered a review of the basics- just to get them in the swing of things again. So- here we go. This will be two nights and will cover basic tablesaw operation and safety along with the basics of the milling process using the jointer, planer and tablesaw. A simple mortice and tenon using the tablesaw and a handheld router will be covered also. I will try to fit in some handtool use- cardscrapers, chisels and handplanes.
This class can be all demonstration- or it can incorporate some hands on practice. It is up to you.
Sign up today. Tuition: $00.00 Materials are included
This class will be rescheduled for later this fall
Many of those who have played or even admired the beauty of the guitar have shown interest in someday making an heirloom instrument that can be played today and passed on and continued to be played for generations. This class is designed to take a beginner/intermediate woodworker through the steps to make a steel string acoustic guitar from a unique kit. You will learn the terminology and the techniques focused on many of the specialized processes to complete your own personalized instrument. The process is broken down into small steps to familiarize the student with the construction of the neck including truss rod installation, fingerboard & fretting, abalone inlay and construction of the body including brace trimming/fitting, top installation, bridge gluing/alignment, purfling and final fit up of the neck to body joint using a bolt-on system. Each guitar will be completed leaving the final top coat finish up to the student. Look for our other classes designed for finishing techniques. Be sure to visit the school to see and play the finished guitar. Three models are available – Sapele w/Spruce Top, Sycamore w/Cedar Top or Maple w/Cedar Top. Please specify species preference when signing up.
Scott has been instrumental to the development of the kits, tool selection and the teaching methods for all the instructors in The U.S Guitar Kits Teacher program. Most recently Scott and U.S. Guitar Kits were featured in the new book "Guitar Building Basics-Acoustic Assembly at Home" Tuition: $395.00 plus materials ($285.00)
Section 021613B: Saturday - Monday, February 16 - 18, 9:00am - 6:00pm
If you've been thinking about taking the dovetail plunge, then this is the perfect project to get your feet wet. This elegant tea box is a great exercise in hand-cut dovetails with a power tool assist. You'll learn the basics of layout and tool selection as well as tips for sawing and scribing for a perfect fit. You'll outfit the box with a partitioned liner, which is a great lesson in bird's mouth miter joints. Finally, we'll top it off with an elegant ebony clasp. It's an intricate piece of joinery, but the table saw handles most of the work. Join Mike Pekovich, Fine Woodworking's art director and resident hand tool addict, for this fun 5-week class. Sign up today- space is limited.
Tuition $195.00 plus materials
Section 111412A: Wednesday evenings, November 14 - December19,
6:30 pm - 10:00pm
General tool list (will open in a new window) ![]()
Are you in the middle of a carving project and having difficulty finishing it? Do you have a carving project you are wanting to start and don't know where to begin? Well known professional woodcarver, Mary May, will guide you through the problems and roadblocks that you may be encountering on the project you are working on or contemplating. This 2 day hands on class will give you the direction and motivation to learn the woodcarving techniques of a professional woodcarver. If you do not have a specific project in mind and just want to learn some techniques then Mary has prepared a project of carving a shell and leaf design on the front drawer of a lowboy. (Some specific tools will be required for this). Some carving experience is required. Space is limited to 8 students, and communication with Mary prior to start of class is important to prepare for each project. Any photos, drawings or reference material on individual projects will be needed. You can send this material to the school’s director- Bob Van Dyke- who will put you in touch with Mary. These classes are always an adventure - you never know where it will go! Sign up today! Tuition: $295.00 (Plus materials used- if any)
Section 030313B: Sunday & Monday, March 3 and 4, 9:00am - 5:00pm
Building a Windsor chair can be daunting to those new to the craft, but with a bit of exposure, inspiration can replace hesitation and get you on your way to building comfortable, durable and beautiful chairs.
This two day seminar will focus on all of the varied skills that go into producing a classic Windsor chair. From splitting the log, shaving the parts, bending, turning, joinery, carving and finishing, you’ll watch as Peter Galbert constructs a continuous armchair and demystifies the process. Come with an open mind, a notebook and a camera to catch all the action. This class is a precursor to the hands on six day class we are planning for the summer of 2013, Stay tuned!!!
Tuition: $255.00
Section 030913A: Saturday & Sunday, March 9 & 10, 9:30am - 5:00pm
This cabinet packs a whole lot of Arts and Crafts in a small package. Useful as an end table or nightstand, this project is a scaled-down version of Mike’s display case fwhich was featured on the cover of Fine Woodworking magazine. For those of you who made the piece when we did it as a class in 2010 this will go with that piece perfectly! This new project packs all of the lessons of the larger case in an easy-to-manage size. We'll start by tackling the through-tenon joinery of the case, and then follow up with great lessons on building doors and drawers. Finally, we'll break out the glasscutters and soldering irons and make the leaded glass panel as well.
There will be homework required which will consist of surfacing and dryfitting joints. If you do not have facility at home then some time in the class shop can be arranged with the director. The preferred species for this would be quartersawn white oak, but it could also be done in in cherry or walnut if you prefer. Please specify your preference when registering. Tuition $395.00 plus materials
Section 020713A: Thursday evenings, February 7 -April 11, 6:30pm - 10:00pm
General tool list (will open in a new window)
The question always comes up about how to make various molding profiles on the router table. Whether you need molding for a picture frame, furniture masterpiece or architectural elements, obtaining the desired molding profiles can be an almost impossible task unless you take the time to search out various router bits that can be combined to create the shape you are after. In this class Mickey will show students how to create the desired profile by combining different bits, different router table fences, different ways of holding the workpiece and sometimes combining tools such as the router table tablesaw and handtools. This class will open your eyes and help you unlock the full potential of your router table- and your imagination!
Sign up today- space is limited. Tuition: $255.00 plus materials
Section 040613B: Saturday & Sunday, April 6 & 7, 9:30am – 5:00pm
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In this full day workshop, Don will introduce the participants to the practical applications of decision-making and treatment execution when confronted with preserving and restoring historic furniture. Hands-on exercises will include veneer repair, molding and casting lost elements, and reclaiming damaged finishes. Tuition: $125.00 plus materials
Section 030313B: Sunday, March 3, 9:00am - 5:00pm
In this one-day class, students will route and glue up a 14” X 22” Tahoma frame. As part of the class each student will take home a CNC template for making the “S” shaped miter joint which can be used for making frames from 12” to 48”. The “S” shaped miter makes this frame both attractive and exceptionally easy to make. When joined with pinch dogs the miter locks at 90-degress and does not slip. After glue up the “S” joint will be reinforced with an exposed spline.
Greene & Greene ebony pegs will be covered as a part of the class and a discussion on an appropriate G&G finish for the frame will be covered as well.
Tuition:$125.00 plus materials (If you take both of Darrell's classes this weekend then the materials for this class are on the house!)
Section: 031813A: Monday, March 18, 9:30am - 5:00pm
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Bandings makes furniture alive with contrast and subtle elegance. This hands-on class will focus on how these complex bandings are made and then set into furniture components such as legs, aprons and tops. We will start with some simple patterns and work towards the more complex, such as herringbones, sawtooth, arrow bandings and the distinctive lunette bandings employed by John & Thomas Seymour at the dawn of the nineteenth century. This unique class will allow you to appreciate some of the ingenious ways in which this decoration can be fabricated which will allow you to add another design dimension to your work, be it traditional or contemporary. During the course of the weekend, attendees will combine efforts to generate some of these infamous forms and take a sampling home with them. Steve Latta is one of this country’s leading authorities on Federal furniture, Inlays and decorative bandings. Don’t miss this opportunity to learn from one of the best! Tuition: $255.00 (plus materials)
Section 032313A: Saturday & Sunday, March 23 & 24, 9:30am - 5:00pm
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In this class we will look at multiple approaches towards executing a variety of decorative motifs and techniques for fielded panels – both in the solid but mostly working with standard veneers. We’ll start off looking at veneered drawer fronts with interior borders, both square and rounded corners and move quickly to more elaborate ellipses and panels bordered with contoured stringing. We’ll look at both flat, bowed and serpentine forms and talk about the wide range of available materials for face veneers, crossbandings and substrates. Both traditional and modern techniques will be addressed.
Bring a notebook…..they’ll be lots to learn! Don’t miss this new class! Steve is one of this country’s leading experts on working with veneers and inlays. Tuition $255.00 plus materials
Section 042013A: Saturday & Sunday, April 20 & 21, 9:30am - 5:00pm
I talk to people all the time and so many of them say ”I can’t take another class until I finish one of the three or four unfinished projects that I have from past classes!” ![]()
Obviously I have to do something about that! This new class is designed to help you get one of the projects that you worked so hard on actually finished. Whether it is just final sanding and applying a finish or actually finishing up on some of the woodworking aspects, i.e., dryfitting, surfacing, assembly, I will do my best to help you get it finished. I would ask that you specify the project when you sign up and it would also be good if you could email me pictures of the project and give me a “status” report on what you want to do in class. There are only two rules for this class. The project has to be a project from the school and I cannot help you with any carving problems - other than that - let's get it done! ![]()
Space is limited so do not wait till the last minute to sign up.
Tuition: $255.00 plus whatever materials are used.
Section 050113A: Wednesday evenings, May 1 - 22, 6:00pm - 9:30pm
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This advanced workshop features a handsome frame and panel book shelf made in mahogany The design is loosely based on those made famous by Gustav Stickley and Harvey Ellis in the early twentieth century. Glass paneled doors, wedged through mortise and tenon joints and traditional Arts & Crafts style hardware are only a few of the distinctive features of this new project. This class will be a great learning experience because it is a new project and participants will see and be a part of all the problem solving that goes into any furniture-making project. The prototype bookshelf is in the works now and can be seen at the school. As with any new project, we can only estimate the number of nights the class will require. Woodworking II or Fundamentals of Furniture Making is required. Tuition: $575.00 (plus materials)
Section 091508: Monday evenings, September 15 – December 22,
6:00pm – 9:30pm
| Woodworking III level classes feature a variety of more complex projects. Students are expected to complete some basic work at home such as scraping, sanding and dry-fitting, thus leaving more actual class time for the more complex operations. Shop time for this handwork only can be arranged if you have no facility to work at home. | ||
This is our newest Woodworking III project in the Fundamentals of Furniture making series and is unique because its design was a group effort by a special class last spring. Charles & Henry Greene were influential designers during the Arts & Crafts Furniture movement of the early 20th century and utilized some distinctly unique designs. Their style has become very popular in the last few years. Drawing heavily on Greene & Greene design features, Asian influences and a couple of our own, the project features the traditional cloud lift shape on the front and back aprons, curved end aprons, an Oriental looking lower shelf and raised ebony plugs. One of the more unique features is the ebony "keys" that are used on the edges of the breadboard top. The table can be made in either cherry or the more traditional mahogany. Sign up soon as class size is limited. Tuition: $325.00 Plus materials
This elegant little table will fit just about anywhere in your home and is a lot of fun to build.
The table features a graceful turned center column (the turning will be done prior to class- so don’t worry if you do not know woodturning) with three gracefully curved legs. The 18” diameter top is thin and has a nice curved under bevel around the edge.
You will have your choice of cherry or walnut- both look great!
The legs are joined to the center column with hand-fitted sliding dovetails. Get your handplanes sharpened up because you will need them to flatten the top and to taper the legs. Lots of fun and very rewarding! One of the best parts of this class is that the table is small so the materials charge won’t break the bank! This class is over two weekends so there will be plenty of time to work on any surfacing and sanding that you might not get done in class.
Tuition: $445.00 (plus materials)
Section 050711A: Saturday & Sunday, May 7 & 8 and June 4 & 5, 9:30 - 5:00pm
general tool list
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If you made the Morris Chair with Joe in one of his classes during the past few years, if you have a chair that needs an ottoman- or you just want to continue building your skills then this is the class for you. You will build an ottoman to match the style of the Morris chair in cherry or walnut. The project features through, wedged mortise and tenons, distinctive side spindles and your choice of leather or cloth cushion. Make sure you are a part of this new class. Tuition: $275.00 plus materials
This 10-session (approximately) class continues the Fundamentals of Furniture-making series and concentrates on carcase construction while allowing you to refine your woodworking skills. Building the Shaker style wall clock (in cherry) emphasizes the use of handtools in fitting joints, creating a glass like surface on the wood and beveling the “bookmatched” back. Students will learn more advanced techniques including resawing, bookmatching, handfitting hinges and precise joinery techniques. Tuition: $345.00 plus materials.
Section 100506A: Thursday evenings, October 5- December 21, 6:00pm - 9:30
(note: this class was originally scheduled for Thursday nights to begin September 14)
This exciting new class features a small plant stand table as the basic project. Inspired by the accent tables made by Bill Huston of Kennebunkport, Maine, the table has gracefully curved legs, a sculpted top and the top can actually raised up above the table base if you like!
This class is a little different than our usual classes in that it allows and encourages some variation in the basic design of the project. The class will begin with examining the basic table design and then each participant will be able to vary elements of that design to make it their own if they desire. The size and shape of the top, the shape of the aprons and the choice of wood species allow for plenty of imagination. We will go through the “mock-up” process and learn some basic drawing techniques in addition to learning the techniques for making the curved “Krenov” style legs. The table can be made in tiger maple, cherry or walnut (or a combination of species). This is a class you should not miss so sign up today. Space is limited. Tuition: $345.00 plus materials.
Section 010808A: Tuesday evenings, January 8 – March 4, 6:00pm – 9:30pm (no class Jan. 15)
The Morris chair is the epitome of Craftsman style furniture and the design we have selected offers many of the typical design features of this well-known chair. Through mortice & tenon joints, a reclining back and angled arm rests are only a few of the highlights of this unique (and comfortable!) piece of furniture. This challenging project will be done in your choice of cherry or walnut and will definitely exercise all the woodworking skills you have learned up till now. We are estimating approximately 12 sessions for this class, however; it is difficult to forecast exactly how long any advanced class will take. As with all Level III classes, some work at home (or in “off” time in the school) will be required. Participants need to have taken at least the Woodworking I and II or equivalent classes. The upholstery work for the chair is not part of the class. We can recommend upholsterers who have done nice work in the past. $495.00 (plus materials).
Section 011210A: Tuesday evenings, January 12 - April 20, 6:00pm – 9:30pm
general tool list
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This intermediate level class will encourage students to go beyond the "straight and square". Techniques used for creating curves, designing angled joinery and making handcut dovetailed drawers will be explored in this innovative class. The desk will incorporate a curved-front drawer, tapered legs, glue laminated curved aprons and walnut cockbeading around the drawer. This project incorporates challenging woodworking problems such as cutting the tenons on the end of a curved piece, fitting the drawer to the exact drawer opening, flattening the 22 inch wide top (by hand) and more. We solve these problems in a simple and unique way which you will be able to apply to other projects in the future. Some hand work at home will be expected. Woodworking 1 & II are required prerequisites. Don't wait too long to sign up for this class as space is limited. Some work at home will be required. Tuition: $695.00.00 plus materials
Section 032409A: Tuesday evenings, March 24 - June 16, 6:00pm - 9:30pm (This class was originally scheduled to begin on March 3)
general tool list 64.98 Kb (will open in a new window)
This new project in the “Fundamentals” series features a small cherry table with a tiger maple “butcher block” top. The table, originally designed for a kitchen, would work well as an occasional table just about anywhere in the house. The design is loosely based on some Arts & Crafts styles with an Oriental influence. The legs feature a curved reverse taper common to that style of furniture and the top is raised up off the legs to give the table a feeling of “lightness” . Another interesting (and challenging!) feature of the table is the lower shelf which is a series of slats inlaid with a walnut geometric design. This new class has just enough complexity to make it a logical choice after having taken the Shaker hall Table class. Sign up soon- space is limited. Tuition: $345.00 plus materials
Section 010609A: Tuesday evenings, January 6 – February 24, 6:00pm – 9:30pm
This new Woodworking III class features a graceful side table which was derived from the design of the tiger maple butcher block table we made in class last winter. The design is loosely based on some Arts & Crafts styles with an Asian influence. The legs feature a curved reverse taper common to that style of furniture and the top is raised up off the legs to give the table a feeling of "lightness". The base will be built in cherry and the top will be your choice of cherry or tiger maple. This piece is the first in a series of pieces we are developing which utilize this unique design. You have the option of building a second table as long as you are able to do the handwork that will be needed at home as we won't have time to do all the handwork in class. Don't miss this opportunity to make a great looking piece of furniture for your home- and learn some great woodworking techniques in the process. Tuition: $395.00 plus materials
NEW START DATE: Class will begin Tuesday, September 22
The side table we will be making is based on the design of the butcher block table pictured
A dining chair is one of the more challenging woodworking projects you can take on. The balance between making the chair as strong as possible and still maintain a lightweight and attractive design, the angles involved to make the backrest comfortable, creating the curved parts and the sheer number of mortise and tenons will exercise all the woodworking skills you have learned up till now. The chair features tapered legs and a tapered backrest. The Craftsman style utilized in the design assures that it will complement the furnishings in most rooms. As with all Level III classes, some work at home (or in "off" time in the school) will be required. The "one weekend per month" format allows us to take on this more ambitious project and allows you plenty of time in between sessions to get all of the handwork done to your satisfaction. Participants need to have taken at least the Woodworking I and II or equivalent. The upholstery work for the chair is not part of the class and will be up to you. Tuition: $595.00 (plus materials). (Note: Payment can be stretched out over the course of the class if you prefer)
Section 092609A: Saturday & Sunday, September 26 & 27, October 31 & Nov. 1, November 21 & 22, 9:30am - 5:00pm
If you made the Morris Chair in one of our past classes, if you have a chair that needs an ottoman- or if you just want to continue building your woodworking skills then this is the class for you. This class features an Arts & Crafts style ottoman to match your Morris chair in either cherry or walnut. While the design is fairly simple, you will find some challenges in making the through, wedged mortise and tenons. This is a nice project to practice your skills with a handplane, card scarper and chisel. Put your feet up and give your Morris chair that extra bit of comfort! Sign up today. Tuition: $295.00 plus materials
Section 092210A: Wednesday evenings, October 6 - November 10, 6:00pm – 9:30pm
NOTE NEW START DATE
general tool list
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This new Woodworking III class is going to be a lot of fun (and a lot of work)! Arts & Crafts Style furniture has been immensely popular. It is attractive, relatively straightforward to build and fits well in just about any house. The display cabinet we will be building was featured on the cover of Fine Woodworking Magazine Issue # 211. The cabinet, which could also be used as a sideboard, was designed by Michael Pekovich, FWW Magazine’s Art Director, and is approximately 48” wide, 38” high and 13” deep. It features leaded glass doors, through tenons and three dovetailed drawers. The preferred species for this would be quartersawn white oak, but it could also be done in in cherry or walnut if you prefer. As with any new project class the anticipated duration of the class is unsure and it may run a little longer than scheduled. There will be homework required which will consist of surfacing and dryfitting joints. If you do not have facility at home then some time in the class shop can be arranged with the director. If you are unable to commit to this homework or will be missing more than a couple of the classes then this is not the class for you. Sign up soon as I expect this class to fill quickly. Tuition $595.00 plus materials
Section 101910A: Tuesday evenings, October 19— January 25, 2011, 6:00pm - 9:30pm
This class has received such a strong response that I am creating a second section of the class which will meet on
Wednesday nights starting October 27 - January 19, 6:00pm - 9:30pm.
Creating two sections will make for smaller classes which will be more enjoyable and make it easier to complete the project in the allotted time. You can get signed up by calling 860.647.0303
Hope you can make it
(photo by Michael Pekovich: courtesy- Fine Woodworking Magazine)
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This new class gives you the opportunity to incorporate your own design ideas into a small table built in the Arts & Crafts Style. Instead of everyone making exactly the same piece, each student will work on variations of a basic theme. Appropriate tables would be a coffee table, a side table, a hall table or sofa table. This is a great opportunity to learn what goes into designing a piece of furniture. We will start the class with discussion of everyone’s ideas and then get into drawing the piece in a full size format. After the design is settled a stock list can be generated and then it will be time to get some wood cut. The deign should follow some basic Arts & Crafts design elements- you should plan on some through tenons, probably square legs and perhaps some Greene & Greene inspired details, ie. Ebony plugs, breadboard ends and maybe even a “cloud lift” detail on the aprons. All in all this should be a fun class making your own piece of furniture. Note: if you would prefer to follow a design then I will be designing a Greene & Greene inspired coffee table which you are welcome to duplicate.
Tuition: $425.00 plus materials
Section 021511A: Tuesday evenings, February 15 - May 3, 6:00pm - 9:30pm
(note: this class was previously scheduled to begin January 26)
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If you have made a Morris chair in class- or you just like the style, then you owe it to your self to make this handsome side table that is will look great with the Morris chair you made in class- or next to a sofa or bed. The table features signature Greene & Greene design elements such as "cloud lifts" on th bottom edge of the aprons, bread board ends on the top- accented with ebony splines and square pegs and shaped aprons and legs. In your choice of walnut, cherry or 1/4 sawn white oak- this table will stretch your woodworking skills and will look great in your home. Plan on doing some of the handwork at home (or in the shop by arrangement) as there will not be time to finish the project if you leave all the work for class-time only. Don’t miss this new class.
Tuition: $425.00 plus materials
Section 020112A: Wednesday evenings, February 1 - April 4, 2012. 6:00pm - 9:30pm
(Image used by permission of Darrell Peart - pictured table is similar to the one we will make in class)
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This class concentrates on the techniques used in cabinet making rather than those used in furniture making. Tim Spratlin is a professional cabinetmaker who brings with him years of labor saving tricks and techniques which students will find invaluable when completing their own projects at home. A medium sized painted plywood bookshelf is the project for this class and features techniques such as cutting plywood panels to size, using solid wood edging, making and applying a molding, making a mitered base, using a Kreg jig and working with a router. The design of the bookcase features a plinth base, adjustable shelves and decorative moldings. This class is designed for beginner and intermediate woodworkers who are interested in learning techniques they can use in numerous home improvement projects. The bookcase utilizes common portable power tools that most homeowners would have or might be considering purchasing. This class will provide you with the foundation skills needed for more advanced projects such as kitchen cabinets, storage cabinets, entertainment centers, counter tops and more. Sign up today. Space is limited. Tuition: $295.00 plus materials
Section 103012B: Tuesday evenings, October 30 - December 4, 6:00pm - 9:30pm
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The raised panel door is a basic part of most furniture carcase construction, but is also used extensively in cabinet making. Tim will guide students thru the finer points of making raised panel doors. Proper sizing of the door to fit into an opening along with sizing the floating panel to allow for seasonal expansion and contraction are an essential part of the class. Students will use the router table and a set of “cope & stick” bits to make the stiles and rails. Students will use vertical & horizontal raised panel bits to form the panel. Each student will make a door they can then use as a model in their own workshops. Tuition: $95.00 plus materials
Section 011213B: Saturday, January 12, 10:00am - 4:30pm
You do not need any tools for this class
Handcut dovetails are great- but lots of people don't have the patience or the desire to learn how to do them. If you have a dovetail jig- or have been considering buying one then you owe it to yourself to get some answers and some practice on a few different kinds of jigs. The Leigh jig is generally considered the best and most versatile of all the dovetail jigs but the Akeeda and the Porter Cable certainly have their place. Mitch will demonstrate the use of all three and hopefully clarify the pros and cons of each one. Through and half blind dovetails will be covered. Students will make a small box during the class which will give them the opportunity to get the feel of the jig and the routers while making a useful project. Tuition: $120.00 plus materials ($18.00)
Section 011008B: Thursday evenings, January 10 & 17, 6:00pm – 9:30pm
The pinnacle of home cabinetmakinag is the kitchen cabinet. This is also a subject that many people have asked for over the years. Tim Spratlin is a professional cabinet maker and is able to show you loads of time saving techniques to help you on your way to building your own kitchen cabinets. You may just be interested in a simpler project like a bathroom vanity– but the techniques and principles are all the same! Tim will review the standards involved in modern kitchen design; ie. the height of counters, depths of cabinets, etc., and demonstrate the installation process. The cabinet you will make in class is a small (about 28” wide) free standing unit that utilizes all the challenges you will face in building a full set of cabinets. The project will incorporate a face frame, a raised panel door, a drawer, a laminated top and European hardware. Options for different types of countertops will be discussed. The cabinet you make in class could then be used at home as a free standing vanity, a storage cabinet or even a sharpening station in a workshop- but more importantly, it will give you the knowledge and confidence to tackle that larger kitchen project that you have been putting off! If you’ve been waiting for the right time to rebuild your kitchen, then this class will get you started on the right track. Tuition $345.00 plus materials.
Section 092010A: Monday evenings, September 20 - November 1, 6:00pm – 9:30pm
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Crown molding is a classic finish to almost every aspect of cabinetry and traditional furniture. It is available in a variety of styles and sizes and with the right tools and a bit of skill you can make just about any style you can imagine. But it is not so simple to make and install. In this unique demonstration class you will learn about the variety of crown molding styles and shapes and learn some of the "tricks of the trade" that will let you install crown moldings successfully in your own work or home.
Tuition $120.00 materials are included.
Section 110709B: Saturday, November 7, 9:30pm - 5:00pm

1/6/2012
Bob,
Just wanted to tell you how much I enjoyed the recently completed Fundamentals of Furniture Making class this week.
Read more...3/18/2012
Bob,
I just wanted to say how much I enjoyed yesterday's class Sharpening Hand Saws, with Matt Cianci.