Ball and claw feet were frequently used for tables, chairs and case pieces in the 18th Century. Each region had its own variation along with a matching strategy for carving them. If you have taken classes with Will Neptune you may know the Philadelphia form or the related Chapin ball & claw feet of Windsor CT. For this three day class, we will tackle the three main regional forms: New York, Philadelphia and Boston. After you have learned one type, the others are easier to understand. For each of these regions, you will learn how the pattern is developed and how it controls the shape. Each style of foot will be broken down into a series of clear steps that help make a set of matching feet in an efficient way. Previous experience with Will's approach for carving feet would be helpful but not necessary. Even if you have previously done a B & C class with Will, this class gives you the opportunity to review the Philadelphia (Chapin) style and then add two more regions to your repertoire.
Some specific carving tools will be required. This list will be on the website soon. Sign up today. Do not miss this opportunity to learn from one of this country’s premier woodcarvers and furniture makers.
Tuition $375.00 plus materials
Section 060316A: Friday, Saturday & Sunday, June 3, 4 & 5, 9:30am – 5:00pm
Seeing and understanding wood in a whole new way. Did you ever look at a piece of wood and wonder what wood it is? And why it looks the way it does? Were you ever confused about which wood it is: mahogany, walnut, cherry, or poplar? The questions may seem answerable when looking at a new piece of wood but how about when you are looking at an oxidized surface or a piece of furniture that is 200 years old with stain and varnish on it. This two-day hands-on workshop will answer all these questions and more. It is designed specifically for curators, collectors, antique dealers, appraisers, and woodworkers. The goal of this workshop is to become familiar with the physical properties of wood and recognize species specific cell structures with a 10x loupe. On Saturday, basic wood anatomy will be introduced, including grain, figure, fundamental differences between softwoods and hardwoods, and more. The student will learn to identify common hardwoods used in 18th and 19th century furniture. On Sunday, the class will be held at the Webb, Deane, Stevens House in Wethersfield (10 minutes from the school). We will get a rare opportunity not only to see one of the finest collections of New England furniture, but also to identify woods used in a selection of great objects in a one-day intensive and hands-on inspection. No experience is necessary. Tuition $275, plus materials which includes a hardwood sample kit, 10x loupe, The “Wood ID Bible”- Identifying Wood by Bruce Hoadley and admission to WDS. Class size is limited to 15 students. This class will fill quickly, so sign up soon.
Section 071616A: Saturday & Sunday, July 16 & 17, 9:30am - 5:00pm
Are you tired of trying to use dull chisels and handplanes? Most people don’t use these tools effectively because they don’t know how to sharpen them or don’t realize what a sharp edge actually feels like! Many beginning woodworkers are sucked into the advertising for the latest and greatest jig to use when in fact, sharpening any chisel or plane iron is a simple and quick process that does not require a whole bunch of expensive and time consuming equipment. We will explore the techniques required to do the initial tune up the tool in order to create a razor sharp edge. Using two stones, a simple (and cheap) honing guide and a simple projection jig (that you will make in class) you will learn how to maintain that edge in under 3 minutes each time you re-sharpen. This class will focus on basic sharpening techniques but will also go into the many different types of sharpening stones, machines and guides on the market. We will also explore using a bench grinder to repair edges and what its role is in day to day sharpening.
The key to successful and fast sharpening is to have a consistent bevel angle- whatever that is. Before you start sharpening your own tools you will make a simple projection jig which ensures you are using the same angle every time you sharpen. Time permitting, sharpening a card scraper will also be demonstrated. Bring along a chisel or plane iron to work with- Please- Do not bother bringing an old beat up tool- This is NOT a Chisel Rehab class- A new tool will teach you much more and you will actually have success sharpening it. Tuition $125.00 materials are included.
Section 070316A: Sunday, July 3, 9:30 - 5:00pm
One of the foundations of superior furniture making is good layout. Good layout is based on the ability to cut a single accurate layout line. This is accomplished with a good layout knife and a good cutting gauge. Surprisingly good cutting gauges seem to be a thing of the past. Sure, there are some out there with really pretty rosewood and brass, but if you look a little closer you see how badly they are made, how poor the cutter is (it is ground incorrectly and it is usually installed backwards!) and they are really expensive!
Why not join Bob Van Dyke in this weekend class to make you own cutting gauge. Based on a design he learned from woodworking expert Will Neptune, this gauge has all the attributes of a great marking tool. It has a large face to register solidly against any surface, a long beam (12”) which lets you use it like a small panel gauge and, most importantly, a single bevel spear point cutter made from a Ron Hock marking knife. In your choice of cherry or walnut. This tool will out perform any cutting gauge on the market today- and- you made it yourself! Sign up today. You will learn some good woodworking techniques, shape your own cutting gauge to fit your hand and learn how to sharpen and use the tool, accurately over and over, meet some new people and have a good time doing it! Tuition $125.00 plus materials. Sign up today- space is limited.
Section 070216A: Saturday, July 2, 9:30am - 5:00pm
General tool list (will open in a new window)
In this two day class, professional saw-smith, Matt Cianci, will guide students through the process of building a 12 inch backsaw - almost from scratch. Starting with kit of rough parts (purchased by the student ahead of time - see options below) and their choice of hardwood stock for the handle, students will make a complete backsaw which will work as well, if not better, than most you can buy on the open market - and - you will have made it yourself! Instruction will begin with handle design and form, then progress through rough cutting, shaping and fitting. Students will then be guided through the critical steps of joining the back and the spring steel saw blade, and finish up construction with drilling and mounting the finished handle. Finally, students will be instructed how to file, set, and sharpen the teeth to the configuration they prefer- rip, crosscut or sash. This is a class that is sure to thrill novice through experienced woodworkers. Students must purchase their backsaw kit ahead of class at one of the suppliers below:
Don’t miss this great opportunity to make a saw that you can truly call your own.
Tuition: $275.00 plus materials
Section 082716A: Saturday & Sunday, August 27 & 28, 9:30am - 5:00pm
Join nationally known carver & joiner, Peter Follansbee, for this unique opportunity to be a part of Connecticut history as we continue our study of 17th and 18th century furniture of the Connecticut River Valley.
This class will focus on the techniques used in the 17th century to make a joined chest entirely with hand tools. These carved chests were made by joiners, using oak riven, or split, from a log. Frame and panel construction and mortise and tenon joinery are the hallmarks of this work. The project is based on a Connecticut River Valley example at the Connecticut Historical Society which Peter is recreating for the Strong/Howard house project.
We will begin with oak we’ve split from a large-diameter oak log, then hew and plane the stock to size. Layout, carving, joinery and drawboring assembly will be focal points of this exciting class. The beveled panels will fit in grooves plowed with a plow plane - a traditional joiners’ approach. Be prepared to work, there will not be any machines in this class!
The secondary wood will be sawn pine which will become the chest’s bottom boards and lid, drawer bottoms and some of the parts for the small lidded till included inside the chest.
This class will meet one weekend per month for 5 months. Class time will consist of numerous demos, learning and practicing the carving and joinery on practice pieces before diving into the actual pieces, exploring the historical aspects of 17th century joinery and furniture making. It is expected that a large part of the actual carving and joinery will be completed in your own shops at your own pace. Please don’t expect that you will be able to build the whole chest during class time only.
This format works well as you get the chance to practice the techniques and get Peter’s feedback in class before you begin on the actual parts that will become part of the finished chest.
This is a hand-tool class; planes, chisels, saws - a simple tool kit is all that is required. The list will be on the website www.schoolofwoodworking.com by the end of the year.
As an added bonus, we will begin the class on Friday, September 30, with a trip to the Yale Furniture Study in New Haven in order to study the numerous examples of carved chests in their collection. Be prepared to learn some great skills, build a great reproduction of a 17th century Connecticut chest and have a great time doing it! Sign up today!
Tuition: $1295.00 plus materials
Section 093016A: Friday, Saturday & Sunday, September 30, October 1 & 2, Saturday & Sunday, November 5 & 6, December 3 & 4 (2016), January 7 & 8, February 4 & 5 (2017), 9:30am – 5:00pm