Schedule of Classes - Winter - Spring 2015/ 2016:
|This is a series of hands on furniture making classes that should be taken in succession as each project builds on skills learned in the previous classes. This series is not a required prerequisite for other classes contained in this schedule.|
A hands-on course that covers the basic concepts of woodworking and furniture making. This eight session class is a combination of demonstrations and hands-on practice. General shop safety (with particular concentration on using the tablesaw) is emphasized. Students will utilize the skills, techniques and tools (both power and hand-tools) being taught in the class in the making of a walnut jewelry box. This project could also be used to store a variety of other personal items. Skills learned will provide a strong foundation for subsequent furniture-making classes. Class size is limited to 12 students. Tuition: $395.00 plus materials ($59.00).
Section 011316A: Thursday evenings, January 14 - March 10, 6:00pm- 9:30pm
Section 022916A: Monday evenings, February 29 - April 18, 6:00pm- 9:30pm
General tool list (will open in a new window)
(This class is a required prerequisite for other classes in the "Fundamentals of Furniture-making" series and has always proven worthwhile to beginner and advanced students alike.)
THIS CLASS IS NOT A REQUIRED PREREQUISITE FOR ANY OF THE OTHER CLASSES IN THIS SCHEDULE
An eight-session class that is a continuation of the Woodworking I class. This class utilizes a combination of hand tools and power tools in the construction of a valuable piece of furniture. Techniques learned in the previous class are put to extensive use as more advanced techniques and skills are introduced. Mortise and tenon joints, grain matching, and using handplanes are a few of the new skills students will learn while making a cherry hall table as their project. Class size is limited, Woodworking I is a prerequisite. Tuition: $395.00 plus materials ($195.00).
Section 111615A: Monday evenings, November 16 - January 18, 6:00pm- 9:30pm
Section 032316A: Wednesday & Thursday evenings, March 23 - April 14, 6:00pm- 9:30pm
General tool list (will open in a new window)
|Woodworking III level classes feature a variety of more complex projects. Students are expected to complete some basic work at home such as scraping, sanding and dry-fitting, thus leaving more actual class time for the more complex operations. Shop time for this handwork only can be arranged if you have no facility to work at home.|
This class concentrates on the techniques used in cabinet making rather than those used in furniture making. Tim Spratlin is a professional cabinetmaker who brings with him years of labor saving tricks and techniques which students will find invaluable when completing their own projects at home. A medium sized painted plywood bookshelf is the project for this class and features techniques such as cutting plywood panels to size, using solid wood edging, making and applying a molding, making a mitered base, using a Kreg jig and working with a router. The design of the bookcase features a plinth base, adjustable shelves and decorative moldings. This class is designed for beginner and intermediate woodworkers who are interested in learning techniques they can use in numerous home improvement projects. The bookcase utilizes common portable power tools that most homeowners would have or might be considering purchasing. This class will provide you with the foundation skills needed for more advanced projects such as kitchen cabinets, storage cabinets, entertainment centers, counter tops and more. Sign up today. Space is limited. Tuition: $295.00 plus materials
Section 030116A: Tuesday evenings, March 1 — April 5, 6:00pm - 9:30pm
General Tool list (will open in a new window)
The raised panel door is a basic part of most furniture carcase construction, but is also used extensively in cabinet making. Tim will guide students thru the finer points of making raised panel doors. Proper sizing of the door to fit into an opening along with sizing the floating panel to allow for seasonal expansion and contraction are an essential part of the class. Students will use the router table and a set of “cope & stick” bits to make the stiles and rails. Students will use vertical & horizontal raised panel bits to form the panel. Each student will make a door they can then use as a model in their own workshops. Tuition: $125.00 plus materials
Section 121315B: Sunday, December 13, 9:30am—5:00pm
The pinnacle of home cabinetmakinag is the kitchen cabinet. This is also a subject that many people have asked for over the years. Tim Spratlin is a professional cabinet maker and is able to show you loads of time saving techniques to help you on your way to building your own kitchen cabinets. You may just be interested in a simpler project like a bathroom vanity– but the techniques and principles are all the same! Tim will review the standards involved in modern kitchen design; ie. the height of counters, depths of cabinets, etc., and demonstrate the installation process. The cabinet you will make in class is a small (about 28” wide) free standing unit that utilizes all the challenges you will face in building a full set of cabinets. The project will incorporate a face frame, a raised panel door, a drawer, a laminated top and European hardware. Options for different types of countertops will be discussed. The cabinet you make in class could then be used at home as a free standing vanity, a storage cabinet or even a sharpening station in a workshop- but more importantly, it will give you the knowledge and confidence to tackle that larger kitchen project that you have been putting off! If you’ve been waiting for the right time to rebuild your kitchen, then this class will get you started on the right track. Tuition $395.00 plus materials.
Section 040916A: Saturday & Sunday, April 9,10, 23 & 24, 9:30am - 5:00pm
general tool list (will open in a new window)
This six evening class is designed for the beginning (or frustrated) woodturner and features extensive hands-on practice each night. Woodturning is a skill that requires some basic instruction and lots of practice. Students are turning on their own lathe most of each night of the class. Class starts with basic spindle and includes a few simple projects like a mallet and spinning tops. We then move on to face plate turning which includes some cherry and mahogany bowls and plates. Along the way we spend time learning about tool sharpening and general information about lathes, tools, chucks and various jigs used in woodturning. This is a great way to safely get into woodturning and gives you a good foundation for other more advanced turning classes and projects. Corey Anderson is the past president of the Central Connecticut Woodturners Guild. Tuition: $295.00 plus materials ($49.00)
Section 010616B: Wednesday evenings, January 6 - February 10, 6:00pm - 9:30pm
The projects are a Garden Dibbler (whatever that is!...), a Tool Handle for a Reversible Screwdriver or a Toy Top, a Lidded Box and Honey Dipper, A Pepper Mill and a Plate. There will also be a review of tools used in turning, tool sharpening, sanding and finishing on the lathe. Safety is always important and will be emphasized throughout the course. Students will gain valuable experience and make some great projects which will help build confidence to continue the quest to master the art of woodturning. Sigh up today. Space is limited. Tuition: $ 295.00 plus materials.
Section 021616B: Tuesday evenings, February 16 - March 22, 6:00pm- 9:30pm
Many people have asked for a beginning turning class to be offered in a weekend format. This class will cover much of the same material as the six-night class but because of time constraints we will not be able to cover as much material in as much depth. The class will cover spindle turning, bowl turning and basic lathe use, safety and sharpening. Students will have the opportunity to make a number of spindle and faceplate projects during the weekend including a mallet, a bowl and a small plate or platter. This is a great introduction to the fascinating craft of woodturning. Tuition: $275.00 (plus materials: $32.00)
Section 013015B: Saturday & Sunday, January 30 & 31, 9:30am 0 5:00pm
Most woodworkers shy away from finishing or are disappointed in their attempts at finishing the projects they have spent so much time and effort in making. Greg Massicotte has been finishing furniture professionally for over twenty years and has taught countless seminars and classes. Students will learn about bleaching and wood preparation, how to use aniline dyes, pigmented stains and glazes in combination to create the dramatic effects and colors they want. The many different choices for top coats always create a lot of questions. This class will expose students to brushing on varnishes, wiping on oils and spraying lacquers. This experience will help clarify the strengths and weaknesses of each topcoat system. Rubbing out the finish and French Polishing will round out the class. With the huge number of finishing questions that come up daily, you should be sure to fit this valuable class in. Tuition $295.00 (plus materials: $40.00)
Section 030716B: Monday evenings March 7 — April 11, 6:00pm - 9:00pm
A Woodworker's Guide to Finishing with Mike Pekovich
Every woodworker knows the joy and stress of putting on that first coat of finish on a project. A finish can bring out the beauty of a piece, but it can also highlight every flaw. Add to that the wide range of dyes, stains and finishing products on the market and the finishing process can get down right scary. In this class, you’ll learn how easy it is to get the silky smooth, low-luster finish that is the hallmark of handcrafted furniture using a simple wipe-on finish. But there’s more to it than following the instructions on the can. Mike Pekovich, art director of Fine Woodworking magazine, will show you a simple step-by-step process that will yield excellent results every time.
The class will cover everything you need to know from preparing the surface to building a finish to final waxing. You'll also learn a simple 30-minute finish that's perfect for small projects and last-minute gifts.
And in the event you need to add a little color to your work, Mike will offer tips for preventing blotching and a strategy for combining dyes and stains in order to dial in the perfect color. Tuition: $125.00 Materials are included.
Section 121215B: Saturday, December 12, 9:30am - 5:00pm
As furniture conservator, I often rely on shellac as my go-to finish, for its tremendous versatility and proven long-term stability. Shellac is a beautiful and durable finish for a wide range of applications. It is also re-treatable; as a solvent release finish it is continuously soluble in its carrier, denatured alcohol. This important distinction allows a shellac finish to be easily repaired, both on-site and in the studio. Shellac is also ideal for touch-ups, using pigments and dyes with prepared shellac as a binder.
In this two day workshop, we will explore the various varieties of shellac, learning to recognize the subtle differences between the types that can be utilized according to the needs of the project. French Polishing will be discussed and demonstrated, along with a “modified” padding technique where oil is not used. Both brushing and padding methods and materials will be reviewed and discussed. The repair and touch up of a previously finished piece will also be discussed and demonstrated, and will incorporate pigments, dyes, brushes, and matting agents. Professional touch-up kits will be available for optional purchase.
Tad Fallon is the co-owner of Fallon & Wilkinson - a small furniture conservation shop that specializes in restoring 18th & 19th century high end furniture. Tad has written numerous papers for the trade and has taught many workshops for professional furniture conservators. Sign up today! Tuition $275.00 plus materials.
New 2016 weekend dates coming soon.
Over the years I have done hundreds of classes which feature projects that teach particular skills. The problem with these project classes is that the logistics of the class prevent us from spending sufficient time on any given new skill to really understand and gain any kind of proficiency in it.In this 5 week (4 days per week) class there is no project– Just skills, technique and practice. With no project to distract us we are able to spend days rather than hours to insure learning of basic– and not so basic— furniture making skills and techniques. I just finished a five week class with this format in November and I really believe it was one of the best classes I have offered in years. Everyone really learned a lot and had a great time!
Plan on spending two to three days on the basic milling process– a strong foundation is essential to more advanced techniques. Instead of learning just enough to get through dovetailing a drawer, plan on spending at least two full days– maybe three, on dovetails. With those new hand skills, cutting a tenon by hand turns out to be a pretty simple affair which you will be able to do!
Machine set ups? I already know how to set up the machine– so in this class I will not set anything up– You will do that– after my demo and explanation of course. You will learn what it takes to flatten a tabletop– by machine and by hand, and glue up a tabletop – using one clamp and a handplane.
We will get into planning a project, basic wood technology, buying lumber, tool sharpening, cutting joints -by machine and by hand, along with basic finishing techniques.
Ornamentation is a big part of fine furniture so plan on spending a few days on working with veneers, inlay and making decorative bandings. It is always good to get a second viewpoint so I have arranged for some guest instructors to spend a day or two with us. Will Neptune will be here to do a day of hands on carving and hopefully Mike Pekovich will be able to stop by to introduce you to some of his design ideas and techniques.
Proficiency in handtools is essential in any high end furniture making and we will spend a lot of our time on just that– plan on spending at least a whole day just on working with handplanes– and another whole day just on sharpening.
We will emphasize the proper and safe use of common woodshop machinery such as the table saw, jointer, thickness planer, router and bandsaw. The school has a full compliment of ready to use high end hand tools and power tools which you are welcome to use. These tools also will give you some experience and guidance in picking out your own tools which you will eventually need to acquire.
This class is designed for the serious student who has both the time and the desire to commit to a comprehensive course of study. It is NOT designed for the total beginner, but rather someone who has done a bit of woodworking and is now ready to get serious and really learn some skills. If you are a beginner then you should sign up for the Fundamentals of Furniture Making or the Woodworking I class.
This is an opportunity you do not want to pass up. Tuition: $1995.00 plus materials.
Section 042516A: Monday—Thursday, April 25—May 26, 8:30am—4:30pm
General tool list (will open in a new window)
In this three day class with joiner & carver Peter Follansbee, students will explore the fundamental aspects of 17th-century joiner’s work. This frame-and-panel project has all the elements of a larger joined chest, but in a scale that fits the time frame. We’ll use oak we rive and plane for the framing parts; and quartersawn stock for the wider panels. Drawbored mortise and tenon joinery and carved decoration will be the a major focal point. A true crash course in joiner’s work. Now, where’d I put that axe?
Sign up today- Space is limited
Tuition: $395.00 plus materials.
Some carving tools will be required. Info is below:
Section 040116A: Friday, Saturday & Sunday, April 1-3, 9:30am - 5:00pm
Note- this is a great introduction to the five weekend joined chest class we will be running beginning in September 2016.
Handplanes can be one of the most useful and rewarding tools in the workshop – or they can be one of the most frustrating! Learn how to effectively use handplanes in your work with Ct. Valley School of Woodworking director, Bob Van Dyke. Which handplane is right for a particular job? What should you look for when buying a new or a flea market plane? How are they “tuned up”? And most importantly- how are they sharpened? These are just a few of the questions that will be answered in this exciting two-day class. We will also go thru many of the basic (and not so basic) types of handplanes- starting with the Stanley bench-planes and going on to compass planes, shoulder planes and combination planes like the Stanley #45 & #55. Because sharpening is such a basic part of using a handplane we will also make sharpening "projection jigs" for each person during class. This is a simple device that ensures the same sharpening angle each time you sharpen.
Section 112815A: Saturday & Sunday, November 28 & 29, 9:30am – 5:00pm
Join well known Massachusetts woodcarver, Peter Follansbee for this unique hands on class. In this two-day course, students will learn the steps and processes used to recreate carving patterns from seventeenth- century furniture of England and New England. Starting with a single gouge and mallet, we will focus on technique and posture. Also considered are proportions, spacing and the relationship between background and foreground in establishing the pattern/design.
Each successive practice pattern builds upon the previous example, adding more tools and concepts. We will incorporate hand-pressure, mallet work, and the use of the V-tool in outlining designs. A compass, awl and marking gauge are used to layout the geometric basis for each pattern, but freehand work is included in each as well.
A range of designs will be covered, all drawn from surviving examples studied in museum and private collections. A segment of the course will be devoted to a pattern Follansbee calls an “S-scroll” and multiple versions of it will be explored. Students will learn ways to combine and contrast these patterns, adapting them for use as furniture accents. Some designs are applicable as narrow framing parts, others as wider panel designs in joined furniture.
V-tool work, gouge work and shaping and modeling surfaces all will be addressed. Background punches will create a textured surface, offsetting the smooth texture of the original planed panels. Various shop-made punches highlight the carved designs. Painted backgrounds will be exhibited and discussed, but will fall outside the scope of this weekend workshop.
The final project in the class will be a panel design utilizing many of the techniques shown in the initial exercises. This is the first in a series of Classes we will be doing with Peter. So if you are interested in this distinctive type of furniture and carving style then don’t miss this opportunity to work with one of the leading people in this field.
Section: 021316A: Saturday & Sunday, February 13 & 14, 9:30am - 5:00pm
The High-Tech explosion of the 21st century has brought about many advancements in design and product construction. Leading the list is a mysterious substance called Carbon Fiber. Originally developed for NASA and the Military, this ultra light weight, super strong material, can be formed into just about any shape. Using a blend of resin epoxies and composite fiber material, it has found its way into many civilian applications; race cars, motorcycles, sport aircraft, sports and recreational gear, and furniture to name only a few. This class will introduce students to this unique technique by showing them how they can simply, by hand, lay up layers of carbon fiber cloth to construct a desired shape, using common items to prepare the molds or forms. Some of you may have some prior experience and specific interest in this material and others may simply be curious and want to learn about a new material that can be incorporated into other projects. Either way- you will certainly have fun and learn a whole lot! Sign up today. Tuition: $275.00 plus materials
Section 103115B: Saturday & Sunday, October 31 & November 1, 9:30am - 5:00pm
For years I have been intrigued by Barrister’s bookcases. They have always struck me as unique and as a form that a lot of people would want to build but, the designs I have seen have never quite made it. They always seem a little too boxy and plain. I saw this design a few months back and I immediately knew this was finally the one that we could build in the school. The new class will incorporate frame and panel joinery, solid wood panels, a sliding drop front glass “door” and your choice of wood muntins or lead “lattice” muntins (see bottom picture). Should you decide to go with the lead muntins you will need to enroll in a separate weekend class with Mike Pekovich to do that. In your choice of 1/4 sawn white oak, walnut or cherry, this bookcase will become a family heirloom and will look great in any room. Sign up today. Space is limited. Sign up today. Tuition: $495.00 plus materials.
Section 120215A: Wednesday evenings, December 2— March 16, 6:00pm—9:30pm
(no class December 30—January 20)
This class is full- wait list only
General tool list (will open in a new window)
This class will be a combination lecture, demonstration and hands-on session which will provide an overview of the history, tools, techniques and materials of upholstery . Mike Mascelli has been a professional upholsterer his entire career and brings a lifetime of experience to this hands on class. Mike will set up a complete working shop including a collection of historic and modern tools, and cover the full range of traditional hand sewn, and modern upholstery methods. Presentations include “A Lively Guide to a Dying Art”, which will be enhanced with demonstrations illustrating the tools and techniques portrayed. “A Tale of Two Chairs” presents step by step photos contrasting traditional work on a period armchair, and modern methods on a 1940’s chair.
Students will complete an open frame slip seat by stretching and tacking webbing, cutting and fitting the foundation, lofting, and show cover materials, and installing a proper dust cover. And then building on these new skills, complete a small-scale sprung footstool, by hand tying springs, and learning basic cutting and folding techniques, then finishing off the corners with proper blind stitches.
The class will also include a complete discussion of tools and machines, as well as tips on common repair techniques such as replacing buttons without having to open up the chair !
Students will receive a booklet containing, excerpts, illustrations, yardage charts, and sources of supply. This class is for anyone with an interest in the tools terminology and techniques of the upholstery trade.
Sign up today. Tuition: $275 plus materials $55.
Section 041616A: Saturday and Sunday, April 16 & 17, 9:30am—5:00pm
General tool list (will open in a new window)
Are you in the middle of a carving project and having difficulty finishing it? Do you have a carving project you are wanting to start and don't know where to begin? Well known professional woodcarver, Mary May, will guide you through the problems and roadblocks that you may be encountering on the project you are working on or contemplating. This 2 day hands on class will give you the direction and motivation to learn the woodcarving techniques of a professional woodcarver. If you do not have a specific project in mind and just want to learn some techniques then Mary has prepared a project of carving a shell and leaf design on the front drawer of a lowboy. (Some specific tools will be required for this). Some carving experience is required. Space is limited to 8 students, and communication with Mary prior to start of class is important to prepare for each project. Any photos, drawings or reference material on individual projects will be needed. You can send this material to the school’s director- Bob Van Dyke- who will put you in touch with Mary. These classes are always an adventure - you never know where it will go! Sign up today! Tuition: $350.00 (Plus materials used- if any)
Section 031216B: Saturday & Sunday, March 12 & 13, 2016, 9:00am - 5:00pm
The amount of handwork that goes into our craft varies drastically among us. Some use hand tools for all aspects while many of us rely heavily upon machinery. As we start to progress towards working with our hands we tend to hide our first adornments, dovetails, behind drawer fronts. We allow machines to be in charge of the single element of decoration that embellishes most of our work: the moulding. There is a set of tools that allows us to take control of this feature. This set of tools, hollows and rounds, can be comprised of several pairs of planes that create varying convex and concave radii. A set of hollows and rounds will give you the opportunity to mould the edges of your work in a fashion you want, not limited by the catalogue of options that routers and shapers afford. In this weekend class we will be bring a round plane to completion and each student will leave with the necessary skill, experience and material to make a matching hollow. Completing this project will teach the necessary skills of replicating the technology included in these centuries old tools.
This two-day class is ideal for anybody interested in working with this type of tool; regardless of whether your ultimate set is comprised of 2 pairs or 9, antique or new. In this workshop, Matt Bickford will guide you through the process of making a pair of #8s (8/16” radius) with a side escapement. Students will start with a beech billet and learn the many steps involved in creating a very versatile tool. Among the many skills to be addressed are making an accurate mortise with floats, fitting a wedge, mating an iron to the bed of your plane, addressing a side escapement, heat treating, and attending to the iron’s various edges.
The class will focus on making a single, simple moulding plane, but much of the tooling and processes is directly relatable to making or rehabilitating any wooden plane.
Tuition: $350.00 plus materials ($95.00).
Section 012316A: Saturday & Sunday, January 23 & 24, 9:30am - 5:00pm
Christmas is just a few days away and you have a few choices; go to the mall and finish your Christmas shopping (along with everyone else in the northeast!), stay home (you will probably just be in the way!) or come to the school and learn a little blacksmithing and make some small projects on the anvil that you might (or maybe not!) want to give someone as a Christmas present. That sounds like more fun-right? Walt Scadden will guide students in the making of a holly leaf shaped key ring, a small iron wreath or maybe a letter opener. These are just a few of the possibilities. No experience is needed so sign up today. Tuition:$125.00 plus materials.
Section 121915A: Saturday, December 19, 9:30pm – 5:00pm
In this new class we jump into the world of electric guitar construction. Students will each build their own guitar based on the world famous Fender Telecaster (yeah- that’s the one Bruce Springsteen plays!) or the equally famous Fender Stratocaster.
Starting with a solid white ash body we will bandsaw and rout the basic shape, fit and fine tune the maple neck (we will purchase pre-made necks for this beginning class), fine tune the rosewood fingerboard and install all the hardware, electronics and both pickups. Finishing is an important part of any guitar so we will also spend a few nights of class time applying your choice of three different finishes (clear, “butter” or cherry). The last night of the class will be final setup & tuning of the guitars and then a jam session to prove how good they are! Mike South has been building guitars, banjos and mandolins since 1981 and is the owner of Windjammer Instruments. Sign up today for this exciting new class and have the satisfaction of building (and playing) your own heirloom quality instrument. Tuition $425.00 plus materials.
Section 030316B: Thursday evenings, March 3 - May 12, 6:00pm - 9:30pm
General tool list (will open in a new window)
Have you wanted to try your hand at designing furniture, but were afraid to take the plunge? Learn the fundamentals of furniture design that will get you headed in the right direction. In this hands-on class you'll learn the basics of furniture design with tips on sketching ideas and translating those ideas into reality through scale and full-size mock ups and perspective drawings. Join Mike Pekovich as he brings his years of experience as a furniture maker and art director at Fine Woodworking magazine to this fun and informative two-day class. You'll learn how to look to the past for inspiration as well as develop your own unique style, how to size furniture effectively and how to add your own personality into your work. Sign up and unleash your creativity! Tuition: $275.00 materials are included
Section 012316B: Saturday & Sunday, January 23 & 24, 9:30am - 5:00pm
Are you looking to spice up your work in a unique and attractive way?
Then you need to sharpen your chisels and try your hand at
kumiko. This Japanese latticework technique is traditionally found
on shoji screens, but it has been making it's way into contemporary
furniture and boxes. The elegant geometric patterns are created by
cutting, beveling and fitting small basswood parts until they slide
together forming the geometric pattern-without the need for glue.
In this weekend class we will make a mitered box into which the top– with its traditional Kumiko “hemp leaf” pattern will sit. Mike Pekovich is the Executive Art Director at Fine Woodworking magazine and is an accomplished furniture maker and instructor. His original designs are both inspiring and elegant in their simplicity. Don’t miss this opportunity to learn some new techniques while making an attractive and useful box. Tuition: $275.00 plus materials.
Section 040216B: Saturday & Sunday, April 2 & 3, 9:30am - 5:00pm
Are you tired of trying to use dull chisels and handplanes? Most people don’t use these tools effectively because they don’t know how to sharpen them or don’t realize what a sharp edge actually feels like! Many beginning woodworkers are sucked into the advertising for the latest and greatest jig to use when in fact, sharpening any chisel or plane iron is a simple and quick process that does not require a whole bunch of expensive and time consuming equipment. We will explore the techniques required to do the initial tune up the tool in order to create a razor sharp edge. Using two stones, a simple (and cheap) honing guide and a simple projection jig (that you will make in class) you will learn how to maintain that edge in under 3 minutes each time you re-sharpen. This class will focus on basic sharpening techniques but will also go into the many different types of sharpening stones, machines and guides on the market. We will also explore using a bench grinder to repair edges and what its role is in day to day sharpening.
The key to successful and fast sharpening is to have a consistent bevel angle- whatever that is. Before you start sharpening your own tools you will make a simple projection jig which ensures you are using the same angle every time you sharpen. Time permitting, sharpening a card scraper will also be demonstrated. Bring along a chisel or plane iron to work with- Please- Do not bother bringing an old beat up tool- This is NOT a Chisel Rehab class- A new tool will teach you much more and you will actually have success sharpening it. Tuition $125.00 materials are included.
Section 022116A: Sunday, February 21, 9:30am - 5:00pm
Hide glue was the glue if choice for furniture makers for thousands of years and started to be replaced by “modern” glues in the early 20th century. Many cabinetmakers continue to use hide glue for certain applications because it has some very desirable qualities that most modern glues do not have. Join nationally known furniture maker, Steve Latta for this information packed two day workshop on hide glue in general and hammer veneering specifically. We will examine hide glue and its many uses, variations and methods of applications. Topics related to this adhesive which dates back some three thousand years will include gram strength, pellets versus flake, hammers , presses and pots and whatever else comes up. We’ll combine several methods of applications including hammering, clamping, vacuum bag, etc. to gain an understanding of what technique works best in what application. The workshop will include some flat and curved work and participants will hone their skills hammering a small, pie-pattern or “sunburst” sample top. Sign up today- this is a class you will not want to miss! Tuition: $275.00 plus materials
Section 120515A: Saturday & Sunday, December 5 & 6, 9:30am - 5:00pm
Pictured table top made by Mark Arnold
General tool list (will open in a new window)
This popular five-day intensive hands-on class is an opportunity to concentrate on the basics of woodworking and furniture making. Each student will make a Shaker style cherry hall table, which is a perfect vehicle to practice the machine and hand-tool techniques that we teach in the class. Subjects covered include basic shop safety, machine use (with particular emphasis on the tablesaw, jointer and planer), using handplanes, card scrapers and chisels effectively to surface and hand-fit the mortice and tenon joints, handtool sharpening, making tapered legs and grain matching and gluing up a top. This class takes the place of Woodworking I & Woodworking II and provides a strong foundation for more advanced furniture projects. Tuition: $725.00 plus materials
Section 010416A: Monday - Friday, January 4 - 8, 2016, 8:30am - 5:30pm
general tool list (will open in a new window)
Sea kayaking is the sport of taking a small boat out on to the big ocean. You could buy an ordinary plastic kayak, or you could build your own which will be lighter, faster, better looking and more fun than any you can buy. This fast-paced class will take students through the major phases of building a “Night Heron” sea kayak. Using the “Stitch-and-glue” construction method, each student will go home with his or her own kayak. Some finish work will be required when they get home. Students will learn some basic woodworking skill as well as how to work with fiberglass and epoxy. The logistics of working with fiberglass and epoxy will require one or two later nights (8 or 9pm) as some operations have to be completed by the end of a day in order to allow sufficient dry time before going on to the next operations. The Night Heron is 18’ long and 20” wide. It is fast and responsive, suitable for exploring estuaries or venturing out into exposed open water. Tuition $795.00 (plus materials- approx. $1350.00) For more information on Nick’s kayaks go to http://www.guillemot-kayaks.com/
Section 011616A: Saturday—Thursday, January 16 - 21, 2016, 9:00am - 5:00pm
What better way to spend a week than to put a woodcarving gouge in your hand, create something beautiful- and have fun! Mary May, a well-known professional woodcarver and instructor from South Carolina, will walk you through the carving process using a variety of relief carving projects. Starting the week with a floral relief design and then moving onto a classic shell, the class will cap off the week with that wonderful and traditional acanthus leaf that is seen on so many period furniture pieces. Throughout the week Mary will also demonstrate a variety of tricks and techniques on how to efficiently use the gouges, how to make tricky cuts, how to sharpen tools to a razor sharp edge, and how to make the carving appear deeper than it actually is. Students will work on a variety of projects of their own choosing along with projects that Mary has selected for their suitability in teaching the skills being demonstrated.
This is a perfect class for both beginners and experienced carvers. Beginning carvers can learn the basics from Mary- but will also pick up tricks- or clarification- from some of the more experienced carvers in the class while experienced carvers will have a whole week to pick Mary’s brain, clarify the questions they may have been struggling with over the years and practice the skills she will be showing you. This is a great opportunity to learn both the basics and the advanced techniques under the guidance of one of our country’s best carvers and instructors. Sign up today- This is a week that you will not want to miss! Tuition: $745.00 plus materials used.
Section 080816A: Monday – Friday, August 8-12, 9:00am – 5:00pm
In this fast paced class students will have the opportunity to build the traditional cabinetmaker’s workbench they have dreamed about! Let’s face it- the benches we build in the school during the year are great (especially for the price!) but nothing beats working on a traditional workbench constructed entirely of 8/4 and 12/4 rock maple. A flat top, wide enough to accommodate most work (26”), wooden bench dogs to hold the work in conjunction with the end vise, a sturdy shoulder vise, a tool tray to keep the smaller tools you are working with in one place and about 300 pounds of dead weight all make this bench a pleasure to work on. The massive trestle base joined with wedged mortice and tenons knocks down for easier (relatively!) moving. We use the Lie Nielsen tail vise and Chain drive shoulder vise hardware. It is hands down the best we have ever seen. This is a great project to further your woodworking skills and is a bench you will treasure for years and pass on to future generations. Sign up today- space is limited- and be ready to work hard- you will go home with a finished workbench! Tuition: $795.00.00 plus materials ($1395.00- includes all Lie Nielsen Vise hardware and benchdogs)
August 2016 dates coming soon
(Note: The bench we make in class does not include the drawers pictured here)